“At this point the Doctor retired and returned gowned in white. He passed to us a canvas such as is commonly used by painters in oil. He placed this upon an easel. At his right was a table bearing brushes and two glasses filled, one with dark blue and the other with white paint. He then distributed large napkins among those present and handed to me two balls of absorbent cotton. These I was told to place over his eyes, and as I did so the two other men and several of the women bound the napkins over the cotton. They were tied very tightly and two were crossed. We inspected the bandages and pronounced them secure. Then the white-robed figure, in this grotesque headgear, asked me to lead him to an arm-chair in the far end of the rear apartment, which I did. Seated in the chair, his chin hanging down upon his breast, he remained for some time, until suddenly he arose and walked straightway to his wife and child, who were sitting behind the table in the front room, upon the sofa as previously. He knelt before them, kissed the little one, his back being toward us the while. Then he walked directly {268} to my companion and took the latter’s watch from his pocket without fumbling. He now proceeded to the easel, and, selecting a brush from the table, dipped into the blue paint and printed across the top of the canvas ‘Fifteen Minutes.’ I looked at my companion’s watch and it registered half past 10. Evidently the words denoted the time in which the picture was to be painted. One of the women present requested that a moonlight scene in Thibet be reproduced. Sudden movements of two brushes, dipped in the two colors, transformed the letters into a clouded sky through which a moon was bursting. Below was outlined a sort of tower, to the left of which was painted a tree. After some detail in the picture was outlined in blue, for example, the white paint would be applied in lines exactly parallel to the first, and many such touches of the brushes indicated that the painting was not made as the result of memory alone. Near the end of the painting the Doctor again approached his wife and child, leading the latter to the easel and placing him upon a chair before it.