“While we do not take the controversy with undue seriousness, there is an ethical aspect in the case, however, that invites discussion. In commenting disparagingly on the professional ability of the Chinese conjurer, in belittling his originality and his achievements in the magic arts, Mr. Robinson (Chung Ling Soo) is really throwing stones at his own crystal dwelling place. Despite the glowing presentments of his press agent, one single naked truth shines out as clearly as a frosty star in a turquoise sky. It is violating no confidence to assert that had it not been for Ching Ling Foo, the professional status of Mr. William E. Robinson, masquerading as a Chinaman, and adopting the sobriquet of ‘Chung Ling Soo,’ would be more or less of a negative quantity to-day. Ching Ling Foo, the genuine Chinaman, is indisputably the originator, so far as the Western hemisphere is concerned, at least, of this peculiar act, and Robinson is merely an imitator. Robinson is shrewd and has a ‘head for business.’ He doubtless realizes, as well as his critics, that in the dress of the modern magician he would not be unqualifiedly successful, despite his skill with cards and coins and his knowledge of the art. The success of Ching Ling Foo in this country was his opportunity. Adopting the dress and make-up of a Mongolian, and appropriating the leading features of Ching’s act, he went to Europe, where the act was a novelty, and scored a great success. Of course, from a utilitarian point of view, this success is legitimate; but in the light of what the American magician really owes to the great Chinese conjurer, it is ridiculous for Robinson to pose as ‘the original Chinese magician,’ and for him to say that Ching Ling Foo is ‘a performer of the streets,’ while he is the ‘court magician to the Empress Dowager.’ This may be good showmanship, but it is not fair play. The devil himself is entitled to his due; and, the question of merit aside, the indubitable fact remains that it is Ching Ling Foo who is the ‘original Chinese magician,’ while ‘Chung Ling Soo’ is an imitator of his act and a usurper in the Oriental kingdom. {285} But outside of the ethical nature of the controversy, we refuse to take it seriously.” [Illustration: A LONDON SIGN BOARD OF CHUNG LING SOO.]