which he takes into the chamber and places in the goblet on the {294}
right. They are clearly seen to drop from his hand from several
inches above; he shows his hands empty and immediately rushes across
to the other goblet, brings it forward, and allows the audience
themselves to take out all the jewelry which was placed in the right
goblet only a moment previous. Having finished with these articles,
they disappear as mysteriously and quickly as they appeared.
“The next illusion performed is the production from space of a live
lady’s bust suspended in a frame. The performer raises his wand and
a large picture-frame suddenly hangs itself upon it. This is brought
for examination, then placed in the center of the chamber, where it
remains suspended in mid-air and sets up a swinging motion by itself.
It is then covered momentarily with an Eastern rug, and when removed,
a lady, devoid of legs, whose body completely fills the frame, is
seen swinging with it. The ‘live picture’ is covered momentarily, and
when the covering is withdrawn a large Union Jack is seen to have
taken the place of the lady, who has vanished.
[Illustration: “BLACK ART”—SOME OF ITS MYSTERIES.]
“The performer proceeds next with a decapitation act, in which a lady
is beheaded in full view of the audience. At a wave of his hand a
lady appears, and hands to him her own gruesome means of execution,
a large, glittering sabre, which he takes, {295} and with one swing
cuts her head clean off where she stands. Catching the head as it
falls, he places a pair of wings at the back of it, when it becomes a
flying cherub, and immediately soars all about the chamber, finally
returning to his outstretched hand. He then removes the wings and
replaces the head upon the lady’s shoulders, restoring her to life,
for which kindness she quickly embraces him and vanishes. Wishing
to get another such share of her favors, the performer endeavors to
bring her back by magic aid, but is surprised by the appearance of a
grinning ghost, whose whole body consists of a skull, with a moving
jaw, draped with a white sheet. He catches it, and detaching its
skull brings it forward for a closer scrutiny, the jaw moving all the
time and the sheet dancing about alone. He then throws the skull into
the air and it is seen no more.
[Illustration: INVISIBLE ATTENDANT PRODUCING THE TABLE.]
[Illustration: THE SWINGING BUST EXPLAINED.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account