“Most intricate is the problem proposed by Colonel Stodare, when, in addition to his admirable feats of ventriloquism and legerdemain, he presents to his patrons a novel illusion called the ‘Sphinx.’ Placing upon an uncovered table a chest similar in size to the cases commonly occupied by stuffed dogs or foxes, he removes the side facing the spectators, and reveals a head attired after the fashion of an Egyptian Sphinx. To avoid the suspicion of ventriloquism, he retires to a distance from the figure, supposed to be too great for the practice of that art, taking his position on the border-line of the stalls and the area, while the chest is on the stage. Thus stationed, he calls upon the Sphinx to open its eyes, which it does—to smile, which it does also, though the habitual expression of its countenance is most melancholy, and to make a speech, which it does also, this being the miraculous part of the exhibition. Not only with perspicuity, but with something like eloquence, does it utter some twenty lines of verse; and while its countenance is animated and expressive, the movement of the lips, in which there is nothing mechanical, exactly corresponds to the sounds articulated. “This certainly is one of the most extraordinary illusions ever presented to the public. That the speech is spoken by a human voice there is no doubt, but how is a head to be contrived which, being detached from anything like a body, confined in a case, which it completely fills, and placed on a bare-legged table, will accompany a speech, that apparently proceeds from its lips, with a strictly appropriate movement of the mouth, and a play of the countenance that is the reverse of mechanical? Eels, as we all know, can wriggle about after they have been chopped into half a dozen pieces; but a head that, like that of the Physician Douban, in the Arabian tales, pursues its eloquence after it has been severed from the body, scarcely comes within the reach of possibilities; unless, indeed, the old-fashioned assertion that ‘King Charles walked and talked half an hour after his head was cut off,’ is to be received, not as an illustration of defective punctuation, but as a positive historical statement. “Davus might have solved the ‘Anthropoglossus,’ but Colonel Stodare presents us with a Sphinx that is really worthy of an Oedipus.” II. Mr. Alfred Thompson, the well known theatrical manager, attended one of Stodare’s performances at the Egyptian Hall, and was lucky enough to penetrate the secret of the Sphinx. In {321} an article contributed to the _New York Journal_, some twenty years ago, he writes: “I happened to rise in my seat. In a moment the whole illusion was swept away, and all because of the lack of a silk handkerchief. As I stood up my eye caught, hovering between two of the table legs, the marks of two fingers, such marks as may often be seen on a mirror when the light falls at a certain angle upon it.