“Trewey, at this period of his career, was not over fifteen years
of age, and had but little experience of men and manners. The quiet
cloisters of a Jesuit seminary are not conducive to knowledge of
the world. Life now became hard for Trewey and his companion, the
youthful tumbler. They exhibited in market places, cafés, and in inn
yards. The life they led was next door to starvation. Soon Trewey
left the acrobat and obtained an engagement at one of the small music
halls of Marseilles. The munificent sum of six francs per week (one
dollar and twenty cents) was the salary he received for his services.
In addition to his juggling exhibition, given several times a day,
he was obliged to appear in a pantomime performance at night. In
this troupe was the famous Plessis, who eventually became one of the
foremost comedians of France, rivaling even the great Coquelin.
“In those days it was the custom for people to throw money on
the stage to favorite performers. Applauding with the hands
being monopolized by a paid claque, there was no better way for
enthusiastic spectators, in French places of amusement, to show their
appreciation of the talents of an artist, than by showering upon him
gold, silver or copper coins. The vaudeville artists did not consider
it beneath their dignity to stoop and gather up these substantial
evidences of public favor.
“Said Trewey to me: ‘I saved these coins until I was able to purchase
two fine costumes. Then I secured an engagement at the Alcazar at
Marseilles.’
“Other engagements followed this, and Trewey became the most popular
performer in the south of France. The desire for a roving life led
him to become the proprietor of a traveling pantomime and vaudeville
company. His versatility was shown here. He juggled, conjured, played
Pierrot in the pantomime, danced in the clodoche, and managed the
finances of the troupe. After two years of this life, he got an
engagement at Bordeaux. It was here that he invented his ombromanie,
and straightway became famous. From Bordeaux he migrated to Paris.
His success was instantaneous.”
The journalists rallied to his aid. He became the lion of the
hour. _L’Illustration_ named his art Treweyism. His reputation was
established. {341}
IV.
Public-domain text, read in full here on John Shaqi.
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