“The scene is a savage glen, behind which is seen a background of
rugged rocks. Pougatcheff appears, surrounded by a crowd of noisy
adherents. M. de Kempelen comes forward, denounces the impostor, and
declares that, to complete his confusion, he will call up the spirit
of the genuine Peter III. At his command a sarcophagus appears from
the solid rock; it stands upright on end. The lid opens, and exhibits
a corpse covered with a winding sheet. The tomb falls to the ground,
but the phantom remains erect. The sham Czar, though a good deal
frightened, makes a pretence of defying the apparition, which he
treats as a mere illusion. But the upper part of the winding sheet
falls aside, and reveals the livid and moulding features of the late
sovereign. Pougatcheff, thinking that he can hardly be worsted in
a fight with a corpse, draws his sword, and with one blow cuts off
its head, which falls noisily to the ground; but at the very same
moment the living head of Peter III appears on the ghostly shoulders.
Pougatcheff, driven to frenzy by these successive apparitions,
makes at the figure, seizes it by its garments, and thrusts it
violently back into the tomb. But the head remains suspended in
space, rolling its eyes in a threatening manner, and appearing to
offer defiance to its persecutor. The frenzy of Pougatcheff reaches
its culminating point. Grasping his sword with both hands, he tries
to cleave in twain the {97} head of his mysterious adversary; but
his blade only passes through a shadowy being, who laughs to scorn
his impotent rage. Again he raises his sword, but at the same moment
the body of Peter III, in full imperial costume, and adorned with
all the insignia of his rank, becomes visible beneath the head.
The re-animate Czar hurls the impostor violently back, exclaiming,
in a voice of thunder. ‘Hold sacrilegious wretch!’ Pougatcheff,
terror-stricken, and overwhelmed with confusion, confesses his
imposture, and the phantom vanishes.
“The stage arrangements to produce these effects are as follows:
An actor, robed in the brilliant costume of Peter III, reclines
against the sloped support beneath the stage. His body is covered
with a wrapper of black velvet, which is designed to prevent, until
the proper moment, any reflection in the glass. His head alone is
uncovered, and ready to be reflected in the glass so soon as the rays
of the electric light shall be directed upon it.
“The phantom which originally comes out of the sarcophagus is a
dummy, whose head is modeled from that of the actor who plays the
part of Czar. This head is made readily detachable from the body.
“Everything is placed and arranged in such manner that the dummy
image of Peter III shall precisely correspond in position with the
person of the actor who plays the part of ghost.
Public-domain text, read in full here on John Shaqi.
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