The old and the new Peru : $b A story of the ancient inheritance and the modern growth and enterprise of a great nationWright, Marie Robinson
History
The old and the new Peru : $b A story of the ancient inheritance and the modern growth and enterprise of a great nation
Wright, Marie Robinson
Peru; Peru -- History
One of the severest tests of the courage of Pizarro came when he led his
little band out of the last defile of the mountains and saw, from the
eminence on which they stood, the beautiful valley of Cajamarca spread
before his gaze, radiant in the flush of summer time, with broad fields
showing the fruits of industrious husbandry, a prosperous little city
nestling just below, and farther away, at the other side of the valley,
on the sloping hillsides, the encampment of the Inca, apparently
sheltering a mighty host. A member of that bold little company naïvely
relates: “With a courageous countenance, after having thoroughly
surveyed the scene, we descended to the valley, and entered Cajamarca.”
One can easily imagine that behind the “courageous countenance” there
was much sinking of the heart, as the invaders made their way down the
mountain side! While they were descending, the sky became overcast, and
the sunlit valley took on a gloomy aspect. Ominous clouds obscured the
surrounding summits, which a few hours before had glistened like
steel-armored sentinels under the rays of the sun. It was as if the
breath of an unholy ambition had already poisoned the air and the
approaching spectre of crime had thrown its awful shadow across the
place of tragedy.
Pizarro and his band entered Cajamarca on the afternoon of November 15,
1532. They found themselves in a city of considerable size, apparently
the home of about ten thousand people, though, as the Spaniards rode
through its streets, no one came out to welcome them, and they
discovered that it had been entirely deserted by the inhabitants, “in
order to give better accommodation to the distinguished visitors of the
Inca,” as his messengers explained.
Public-domain text, read in full here on John Shaqi.
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