On her way back to her quarters Helen was conscious that she was
following the path; conscious of having answered the greeting of people
whom she knew in passing. She would not have noticed the letter
waiting for her on the table in the hall of the nurses' quarters unless
her attention were called to it. She took it up with only a casual
glance until she had closed the door of her room when the firm's name
on the left-hand corner of the envelope recalled the fact that she had
an exhibition of drawings on in New York. This was the first steadying
fact, a life-buoy to grasp at, in the misery that had overwhelmed her.
When she tore open the envelope a number of newspaper clippings
fluttered out. On one she caught a glimpse of the name of Ribot in a
headline, which had such a banal effect that she let the clipping lie
where it had fallen.
"As I have written already, the first week in October was the only time
I had open," she was reading the manager's letter mechanically at
first. "But it does not seem to matter when Miss Helen Ribot exhibits.
As for your _succès d'estime_, read the enclosed reviews. More to the
point, perhaps, is that I have already sold fifteen of your drawings.
Thinking that this might be as welcome as the clippings, I enclose a
check for a thousand dollars on account.
"As to your question about settling in America, I know that M.
Vailliant advises against it; but my answer to him is that art is
international and any artist works best in the surroundings which he
likes best. One does or does not become an American. If you catch our
spirit, as I think you will, then your place is secure, whether you do
what you call real drawings or something more popular. I prefer your
real drawings--and more of them, please.
"I want another exhibition in the spring and shall reserve the last
week in February for you unless I hear otherwise, hoping, however, that
you will be with us before then. Let me know your steamer and I shall
meet you at the pier. My wife joins me in asking you to stay with us
until you have found a satisfactory studio.
"P.S. Won't you send a photograph of yourself? One of the magazines
which is making a special article on your work wants it. Perhaps you
have something which some friend has drawn of you; or, better, which
you have done of yourself."
The letter pointed the way; it threw out the bridge on the other side
of the promised land.
"And a picture of myself!" she thought, when she caught a glimpse of
herself in the mirror. "No, I'll not send that." They would have to
see her, though, and they would say in America, as everywhere else, How
plain she is!
"I don't have to exhibit my face, though!" she declared defiantly. "I
needn't meet people except those who have to do with my work."
Public-domain text, read in full here on John Shaqi.
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