Actors -- Fiction; England -- Fiction; Theater -- Fiction
There was no real occasion for Eliphalet to economise to the extent he
was doing, for his banking account showed a comfortable credit (fruit of
many years’ saving). To do so, however, was no great privation, for the
provincial actor knows better than any other man how to live, and live
well, on nothing a week. Better circumstances had brought little change
in Eliphalet Cardomay’s mode of life. Joints appeared on the table with
great frequency, perhaps, and he did not deny himself a dish of crumpets
when the bell of the muffin-man sounded in the street. But these little
extras he now excised, and gave further outward evidence of poverty by
walking the streets with melancholy mien.
He missed his Art and missed Mornice, and altogether he was ill-content.
The delights of prominence so obsessed Miss Mornice that letter-writing,
after the first week, showed a pathetic decline. He had to satisfy
himself with postcards of which “Having a lovely time—You are a dear”
was a fair sample.
One day when meandering down Oxford Road, Eliphalet was heartily
accosted by another old actor of the name Sefton Bulmore. Bulmore had
once been a popular comedian, but had lost much of his hold upon the
public. After eking out a precarious existence with special performances
and short tours, he had the good fortune to obtain some fairly regular
work with Eastlake’s Exclusive Cinema Company, and had given them
satisfaction.
He was a breezy, go-as-you-please old fellow, who would borrow a
shilling or lend you a pound with equal good-nature.
“Hullo, Cardomay! Dear old boy, old man—how’s things?” he hailed. “You
don’t look too grand. Haven’t seen your poster about lately. Where are
you showing now?”
“I am not, at the moment,” replied Eliphalet. “But won’t you step along
and take a cup of tea?”
As they walked toward the lodging Sefton Bulmore did most of the
talking, but this did not prevent him from casting sidelong glances at
his companion.
“Must have come a cropper somehow,” he reflected.
The sight of Eliphalet’s very humble apartment and the modest fare
offered strengthened this impression. Discreetly as possible he tried to
discover how matters stood, but his masked inquiries failed to produce
the required information.
“Well, I must be getting along,” he said at last, with a hearty
hand-shake. As he touched the handle of the door an idea flashed into
his brain, and he turned:
“Just occurred to me—I’ve come out without any ready. You might lend me
a couple of ten shillings.”
Eliphalet hesitated. “I haven’t so much on me,” he answered, “but I
daresay——”
“Lord love you, I don’t want it—only a joke—pulling your leg, that’s
all. Ha! Well! Must be going, old man. Bye-bye.”
Sefton Bulmore had learnt what he wanted to know—or thought he had. As
he walked down the street he muttered to himself:
“Tch, tch! Bad business! Poor old Card! Tch-tch. Getting old—losing
ground—hipped—stony!”
Public-domain text, read in full here on John Shaqi.
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