Actors -- Fiction; England -- Fiction; Theater -- Fiction
“Like that, eh? Well, I suppose I must take your word, Bulmore, and risk
it. For your sake I hope he doesn’t let us down, that’s all. What’s he
like, now—is he funny?”
Bulmore stretched his imagination to the fullest.
“You should just hear them shriek at him.”
“And about terms? Would he take a bit less?”
“That’s the one difficulty, old man. I mentioned what you’d said, but he
held out that thirty-five guineas was the lowest he’d accept.”
“Well, it’s the highest we’d pay. Tell him that.”
“Well, we’ll let it go at thirty-five, and if you’ve a sheet of paper
handy I’ll sign an acceptance form on his behalf.”
Sefton Bulmore’s cherrywood cane, which he spun in his hand as he went
whistling down the street, was a peril to the neighbourhood. He did not
allow himself to be oppressed in the smallest degree that he had turned
over to his friend a sum of money of which he was in great personal
need. He felt himself amply repaid by having brought the interview to so
successful a conclusion. Great is the balm descending upon him that
giveth.
Without losing any time he hastened to inform his old colleague of the
news, and with truly dramatic sense did not dull the point by
approaching it too directly.
He found Eliphalet Cardomay taking a modest luncheon, and sat down to
join him without waiting for an invitation.
“Doesn’t seem right to see you out of harness,” he began, his mouth well
filled with cheese and pickles. “What’s more, I can’t believe it agrees
with you.”
“One feels the difference, of course,” Eliphalet confessed. “However, it
is my own choice.”
Bulmore took this statement as a piece of pardonable pride.
“Still, I wonder you don’t do something as a fill-in. Now, there’s quite
a decent income waiting to be picked up with the Cinema, y’know.”
“The Cinema!” Eliphalet’s eyebrows arched disapprovingly.
“That’s it. Growing concern, old man, getting a bigger hold on the
public every day.”
“The mushroom season is a short one,” commented Eliphalet drily.
“Well, they both do best in the dark,” said Bulmore, with a laugh. “But
the Cinema has come to stay, laddie, mark my words; and it’s up to you
and me to have a dip in the pie.”
Eliphalet Cardomay rose and assumed a position of importance by the
fireplace.
“It is up to you and me, and all those who treasure the traditions of
our noble calling, to manifest our disapproval of this mechanical device
for—what shall I say?—for potting our artistry, by leaving it severely
alone.”
Bulmore, who was expecting his old friend to embrace the opportunity he
had come to offer, was wholly unprepared for so hostile an attitude. He
kicked himself, metaphorically, for introducing the subject in this
roundabout way instead of walking straight up and saying, “You’re broke,
old man; here’s a job for you.” But having chosen his means he had no
other course but to continue on the lines of his beginning.
Public-domain text, read in full here on John Shaqi.
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