Actors -- Fiction; England -- Fiction; Theater -- Fiction
Awaiting him at home was a statement of the week’s account from the
manager of Mornice’s tour. The expenses were twenty-two pounds in excess
of the takings. He also received a postcard from Mornice saying she was
dreadfully miserable that the tour was finishing the following week, but
it would be lovely to see him again.
“She’ll never be happy unless she’s acting,” he thought.
He wrote some figures on the back of an envelope, figures which showed
that her tour had realised a loss of eighty pounds. Eighty pounds. He
had earned nothing for the last ten weeks save—and he looked at the
cheque for thirty-five guineas—money defrauded from a friend, and
ill-earned at that.
“This is no good,” he argued, his thoughts resting on the cherished wish
to play ‘Hamlet.’ “No good—and after all, blessed is he that humbleth
his pride.”
So he sat down to write, addressing the letter to Mr. Shingles, Chairman
of the Syndicate. A reply was received two days later, and he duly
entrained for Bradford to attend the meeting.
His reception was chilly.
“I have re-considered my views, gentlemen,” he said, “and withdraw my
proviso with regard to the ‘Hamlet’ production.”
“I knew we’d starve you out,” squeaked Mr. Wilfur, rubbing his bony
hands. “Oh, yes, money always counts—money wins, money does.”
“Not always,” said Eliphalet, thinking of Bulmore. “With some men
friendship stands on a higher plane.”
“Well, I may say, Cardomay, that you have strained friendship almost to
a breaking-point,” commented the obese Mr. Shingles. “Here’s half the
autumn gone, and nothing done. Still, if you have come back admitting
yourself to be in fault—well—— But what do you say, Doctor?”
“No good harbouring ill-feeling. We may as well carry on, but since
we’ve lost so much time and all the best dates, the question of reduced
percentage asserts itself,” said Mr. Wardluke.
And thus the thin edge of the wedge implanted itself daintily into the
future fortunes of Eliphalet Cardomay. When he left the meeting he had
lost ground, and what was left before him was perilously insecure.
On arriving home he sent a letter to Bulmore asking him to supper, and
spent the time of waiting purchasing and laying out a really sumptuous
spread. In his breast-pocket there was a bulge of banknotes,
representing the cashing of Mr. Eastlake’s cheque.
“Ha, ha!” he cried when old Bulmore, looking rather down and out, came
into the room. “Here’s the man who brought me luck. Congratulate me, my
dear old fellow, for I open again in my own management in a month’s
time.”
His tone rang with enthusiasm, and all through the meal he held forth
upon the advantageous terms he had arranged with his syndicate and the
big success forecasted for the play.
Poor Sefton Bulmore could hardly fail to feel rather out in the cold,
but he did his best to reflect the cheerful mood of his host. The effort
was pathetically transparent, however, as Eliphalet noted with
satisfaction.
Public-domain text, read in full here on John Shaqi.
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