Actors -- Fiction; England -- Fiction; Theater -- Fiction
“Decidedly!” replied Mrs. Montmorency, her head still moving and
increasing the raffish angle of her hat. “Decidedly! I should think so,
indeed! Why, good gracious me, yes!”
“If you know all about it, there’s no call for me to tell you.”
“None whatever—decidedly not! What did you say?”
“Oh, you’re—you’re Saturday!” said Emma.
Mrs. Montmorency stiffened.
“Any sauciness, and out you go—bag and baggage, lock, stock and
barrel!”
“You wouldn’t part with the barrel—not if you thought there was
anything in it,” returned Emma, with asperity.
“I think, Emma, you forget who you’re speaking to. Now, what did you say
about the rooms?”
“Let ’em, that’s all. Twenty-one shillings a week for the two upstair
fronts and the sitting, and they’ll stay three weeks like as not.”
“This comes of my going out!” declared Mrs. Montmorency. “It means that
I can’t go out, and that’s what it _does_ mean! Who, may I ask, please,
have you let my rooms to at such a price?”
“Old fellow and his daughter.”
“Daughter, indeed! Decidedly, I should say so. A nice thing altogether.
Well! it’s what I expected—no more, no less.”
“You can tell ’em to go if you’re not satisfied—I ’aven’t sheeted the
beds yet.”
“That’s at my pleasure, and one more piece of sauciness and you’ll be
the one to go. But I’ll charge them for the cruet—ninepence a week, and
any breakages will be double—double. And now, please, what are the
names of the precious pair?”
“Didn’t ask.”
“No, you wouldn’t—decidedly not. You’d turn my house into a warren for
all the rag-bag and nameless vagabonds in the town. I’ll see them
myself, and you can be sure I’ll have my say, too.”
“Then I should take off my ’at and straighten up a bit first—for you
look for all the world like a needle in a hay-stack.”
Emma walked from the room and slammed the door.
Mrs. Montmorency rose from her chair and, approaching the mirror on the
mantelshelf, Narcissus-fashion surveyed her own loveliness therein.
Seemingly she found Emma’s counsel good, for she removed her hat and
cast it upon a chair, where it was crushed in the emotional crisis that
followed. Her hair she pawed and patted into some pretensions to
order—her face she enriched with a fresh crust of powder. From a
scent-spray, convenient to hand, she directed a jet of some
heliotrope-coloured fluid upon her bosom. This done, she straightened
her figure and passed out into the passage, with primmed lips.
To avoid the impression that by letting a room she sacrificed the
privilege of entering it at will, she turned the handle of Eliphalet’s
door, without knocking, and walked inside.
It happened that the old actor had closed his eyes for a few moments and
was sleeping—his back toward her. Mrs. Montmorency sniffed, but,
failing to awaken him, circumnavigated the table until his features, lit
up by the cast-down glare of the incandescent gas, confronted her own.
For a moment she looked and then, with a curious throttled cry, turned
about and fled.
Public-domain text, read in full here on John Shaqi.
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