Actors -- Fiction; England -- Fiction; Theater -- Fiction
“A bit indifferent! It was deplorable. But, apart from that, the way
that old actor, what’s his name, played the part of the Colonel was
enough to drive a man to drink. Going about, smiling, cracking jests,
and lighting cigarettes! I’ve been through a decent few shows—Dundee,
Barterton, and some others that were pretty warm, too—and I can tell
you, people don’t behave like that under shell-fire—they’ve too much to
think about to play the mountebank. Carry on with the work and show
decent pluck—yes. But behave like that old idiot—no, no!”
“You’re blasé with too much of the real thing, my dear Raeburn. Let’s
have a drink and talk about something else.”
But the South African warrior was not to be denied. He had things to
say, and meant to say them.
“Half the time,” he continued, ignoring the interruption, “these
actor-Johnnies don’t know what they’re doing. A slack, idle crowd,
lolling over a bar by day and messing up their faces with grease-paint
by night. They’ve no experience of life, or death, or danger, and
wouldn’t know how to cope with it if they had. They’re gas-works, that’s
all. Lord, it makes me sick to see a man attitudinising and throwing the
heroic pose, when if it came to a pinch he’d take to his heels at the
sight of a runaway horse half-a-mile away.”
“That statement,” said Eliphalet Cardomay, rising and approaching the
two gentlemen, “is offensive and unjust.”
The man who had been speaking, a broad-shouldered, well-built fellow of
middle age, spun round in his chair, and eyed the newcomer with
disfavour.
“I’m not aware we invited you to join our conversation,” he said.
Eliphalet Cardomay acknowledged the thrust with a fencer’s gesture.
“True; but I feel justified in upholding the honour of my profession, as
doubtless you would feel for any person or ideal you may happen to
cherish.”
Captain Raeburn cocked his head at a somewhat insolent angle.
“Come on, then, draw up a chair and let’s have it out. It would simplify
matters to exchange names. Mine is Raeburn—Captain Raeburn—and this is
Mr. Bryan.”
The old actor bowed ceremoniously to each in turn.
“And mine,” he said, “is Eliphalet Cardomay.”
By the expression of surprise on their faces it was clear, until this
moment, they had failed to recognise in him the gallant Colonel of an
hour before.
“Is it, begad?” said Raeburn. “Then our conversation must have been
devilish unpleasant overhearing.” He offered no apology, however.
Eliphalet shrugged his shoulders and, dividing the tails of his long,
old-fashioned frock-coat, sat down at the small table.
Mr. Bryan was of more sensitive metal than his companion, and felt the
need to smooth some of the creases from the situation.
“Raeburn,” he said, with a conciliatory laugh, “says a good deal he
doesn’t mean. You know what it is! Personally, I am sorry you should
have overheard his criticisms—very sorry indeed.”
Public-domain text, read in full here on John Shaqi.
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