Actors -- Fiction; England -- Fiction; Theater -- Fiction
Eliphalet Cardomay had got his second wind and was holding the audience
with a light but firm rein. He was jesting with death at his
elbow—tickling the feet of Fate, and strewing the stage with
half-smoked cigarettes. Old Kitterson, fired by example, had braced his
shoulders for the ordeal and was doing his best to help the Guv’nor in
his hour of need.
They had reverted to the original text when Raeburn re-entered the box,
and Kitterson was saying:
“They are piling explosives beneath the main gate, sir.”
“We shall go to our Maker with a better speed, then.”
“Is there nothing we can do?”
“Nothing, if the relief is not in time. We have still our prayers and a
generous supply of these excellent cigarettes.”
Kitterson (at the window): “Ah! they are lighting the fuse. They move
away from it. It burns slowly—Guv’nor—sir!”
Almost with a single impulse the entire audience clapped hands over his
ears, and, by a caprice of fortune, some thousands of rounds of best
smokeless cartridges detonated with a hollow, paralysing roar.
The whole building shook. The long line of the back-cloth snapped, and
it swung down from a single tether. Several women went into hysterics,
and a quantity of plaster mouldings fell from the roof and splattered
among the audience.
Then there was silence—no sound but the soothing hiss of water on
red-hot beams.
Eliphalet Cardomay, with arms folded, stood in the middle of the stage,
a queer smile playing about his lips; Kitterson had dropped his head in
his hands and was crouching beside a table; and then the door burst
open, and little Violet O’Neal, “the Colonel’s daughter,” followed by
two men in officers’ uniforms, burst upon the stage.
“It’s all right,” she gasped. “The danger—the worst is over.”
Suddenly her part came back to her.
“The rebels are flying,” she cried. “You’re safe—safe!”
Eliphalet, Colonel and father, caught her to his breast, smothering
something she was saying about the gasometer.
“God has rescued us, my child—God is very good.”
And Manning, who had dashed up from the street a second before, was just
in time to ring down.
“Exits all clear, Guv’nor,” he cried.
“Take up the curtain, then,” said Eliphalet; and when it rose he stepped
forward to the footlights and, holding up his hand for silence, said:
“Ladies and gentlemen, will you kindly leave the theatre by the right
and left emergency exits. There has been a fire in the street by the
box-office, so this way will be more convenient.”
He bowed—turned with a pardonable instinct towards the box in which
Raeburn and his friend were standing, and favoured them with a very
slight smile.
The curtain fell and the audience, in some perplexity, but without
panic, filed out of the theatre to the narrow alley at the back.
“Mr. Cardomay,” said Gimball, “I reckon you’ve saved my licence.”
“It had not occurred to me I had so important a task to fulfil,”
returned Eliphalet.
“I can tell you I’m grateful.”
Public-domain text, read in full here on John Shaqi.
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