Actors -- Fiction; England -- Fiction; Theater -- Fiction
The tide of well-dressed men and beautifully-gowned women set his mind
upon a sad train of thought. They were not for him, these select; his
poster on a hoarding they would pass by without a second glance. They
belonged to the great ones of the London stage—that mighty little
clique whose doors were barred to such as he. That very morning he had
seen a few of the upper theatrical ten walking in the Park, and, even as
the thought crossed his mind, Sir Charles Cleeve, an actor knight, and
his fashionable wife, drove past in a high phaeton drawn by a pair of
piebalds. A real live duchess turned in her carriage to smile a greeting
to them. (Eliphalet knew she was a duchess, for he had often seen her
portrait in the illustrated weeklies, hanging on Smith’s book-stalls in
the Midland stations.) A clever woman Sir Charles’s wife. All the world
knew that the high ground he now held unchallenged had in part been won
for him by her tireless energy, tact and charm.
It was a great thing for an actor to possess such a wife. He fell to
wondering whether, had his choice been as happy, he, too, might not have
been a member of the Garrick Club, a driver of phaetons, a recipient of
smiles from duchesses. He could hardly refrain from smiling at the
thought of the figure his wife would have cut in polite society. Yet she
had been an able enough actress in her day. Poor Blanche—poor,
empty-headed, self-centred, easy-virtued Blanche. It required an effort
to reconstruct her picture in his mind. Twenty-seven years is a long
time, and even pleasant pictures had faded in less. Once he had loved
her, like a very Romeo, and set her on a pinnacle higher than any
balcony. He shivered, as with horrible clarity he saw the night when,
returning late from the theatre (there had been a rehearsal after the
show), he had found her in their wretched little parlour, drinking a
wretched brand of champagne with Harrington May, the leading-man. The
same Harrington May who had fled from the field of honour—to return
later, as a fly returns to a pot of jam.
Everyone has supper with everyone else on the provincial stage. It is
one of the best and friendliest traditions of the Road, and Eliphalet,
born and bred of the Boards, would have thought no ill to find her
entertaining one or a dozen men at any hour of the night. But this was
different. It was not the friendly little repast with its scrambled eggs
and rattle of theatrical shop; it was frankly a carouse. There were
empty tinselled bottles on the table, and those down whose throats the
liquid had passed were drunk—Harrington May dully, and his wife
stupidly. She had her head on the man’s shoulder, and was laughing in a
loose, trumpery way.
Public-domain text, read in full here on John Shaqi.
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