Actors -- Fiction; England -- Fiction; Theater -- Fiction
And She of the Neuralgia was constrained to take two aspirins in rapid
succession to recover from the tidings, while the Lady of the Lorgnettes
turned aside to congratulate _that_ Mr. Cardomay on his speedy recovery.
CHAPTER IX
A REVERSIBLE FAVOUR
A certain old actor, whose spirit had passed above the flies, once
remarked, referring to “Hamlet,” “This delightful profession of ours is
ruined by perennial productions of that most gloomy play.”
Such an observation is, of course, indefensible, nevertheless the
magnetic charms of “Hamlet” are, to a certain extent, margined. Without
exception it delights the actor who plays the title-rôle, and almost
without exception it fails to delight those members of the cast who play
the minor parts. Another section of the dramatic world who eye this
drama askance are those indispensable gentlemen whose money is reposed
in theatrical enterprise.
A syndicate, as a rule, is composed of unemotional persons, whose love
of art is subordinated to a love of profit, and with this aim in view
they are apt to rebel against the devotion of their capital to
presentations of Shakespearian masterpieces.
This, in fact, was what occurred when Eliphalet Cardomay gravely
announced this intention at the Round Table of his Supporters. His
appearance in town in the character of The Ghost inspired the idea, and
he had thought it over very carefully and decided it was good. Little
Mornice June was to appear as Ophelia—a revival of “The Night Cry”
would be postponed, and it only remained to impart his intentions to the
four commercial gentlemen who composed his syndicate and receive their
sanction and blessing.
“You will agree,” he said, “to an actor of my calibre a career cannot be
regarded as complete if he has failed to appear as the Moody Dane. We
have been in the best accord in our past dealings, and I am confident of
your approval in this matter.”
For a while no one spoke. Mr. Albert Shingle, owner of a large Drapery
Emporium, with branches in several Midland towns, looked furtively at
Mr. Thomas Combermare, dealer in dry-goods. But Mr. Combermare only
picked his teeth with a tram-ticket and shook his head.
“Well, I don’t know so much,” said Mr. Shingle, at last, expanding his
globular waistcoat. “What do you say, Mr. Wardluke?” The gentleman
appealed to was a retired doctor, who had done extremely well by opening
small surgeries in the poorer parts of Bradford.
“I’d like to agree with Mr. Cardomay,” he said, “for, on the whole, he
has done extremely well by us—but—well—‘Hamlet.’ You see what I mean?
One must consider the public.” He put a pencil in his ear, stethoscope
fashion, as though seeking to learn how the heart-beats of the multitude
responded to so extreme a test.
“I am all against it—all against it.”
Public-domain text, read in full here on John Shaqi.
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