Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
Stronger and stronger blew the wind, louder and louder swelled the voice
of the forest. Below, the wash of the river in its reeds, the dull
groaning of branch grating against branch, the fall of leaf and acorn,
the loud sighing of the pines, the cry of the owl, the panther and the
wolf—above, the vast dome of the heavens and the fading stars. An
effulgence in the oast: a silver crest, like the white rim of a giant
wave, upon the eastern hills; a pale splendor mounting slowly and calmly
upward—a dead world,—all her passion, all her pain, all toil and strife
over and done with,—shining down upon a sadder earth.
From beneath the shadowy banks there shot out into the middle of the
broad moonlit stream a long canoe, followed by a second and a third, and
turning, went swiftly down that long, bright, shimmering, rippling path.
In the last and smallest of the three boats a man rose from his seat in
the stern, and with his eyes upon the line of moon-whitened cliffs above
him, raised his plumed hat with a courteous gesture, then bent and spoke
to a cloaked and hooded figure sitting, still and silent, between him
and a burlier form. This canoe was rowed by negroes, and as they rowed
they sang. The wild chant—half dirge, half frenzy—that they raised was
suited to that waste which they were leaving.
The black lines upon the silver flood became mere dots, and the wailing
notes came up the stream faintly and more faintly still. For a while
the echoes rolled among the folded hills and the tall gray crags, but at
length they died away forever.
Butler & Tanner, The Selwood Printing Works, Frome, and London.
Public-domain text, read in full here on John Shaqi.
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