English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
that life is not seen in a truer perspective when it is seen in the
fairer prospect of an ideal remoteness. Perhaps we must always go a
little way back in order to get into the land of romance, as Scott and
Hawthorne did. And yet it is within us too. An unskilful story-teller
always raises our suspicion by putting a foot-note to any improbable
occurrence, to say “This is a fact,” and the so-called realist raises
doubts in my mind when he assures me that he, and he alone, gives me
the facts of life. Too often all I can say is, if these are the facts,
I don’t want them. The police reports give me more than I care for
every day. But are they the facts? I had much rather believe them to be
the accidental and transitory phenomena of our existence here. The real
and abiding facts are those that are recognized as such by the soul
when it is in that upper chamber of our being which is farthest removed
from the senses, and commerces with its truer self. I very much prefer
“King Lear” to Balzac’s bourgeois version of it in “Le Père Goriot,”
as I do the _naïveté_ of Miranda to that of Voltaire’s Ingénu, and,
when I look about me in the Fortunate Islands of the poet, would fain
exclaim with her:
“O! wonder!
How many goodly creatures are there here!
How beauteous mankind is! O, brave new world,
That has such people in ’t!”
Those old poets had a very lordly contempt for probability when
improbability would serve their purpose better. But Massinger taxes our
credulity less than most of them, for his improbabilities are never
moral; that is, are never impossibilities. I do not recall any of those
sudden conversions in his works from baseness to loftiness of mind, and
from vice to virtue, which trip up all our expectations so startlingly
in many an old play. As to what may be called material improbabilities,
we should remember that two hundred and fifty years ago many things
were possible, with great advantage to complication of plot, which are
no longer so. The hand of an absolute prince could give a very sudden
impulse to the wheel of Fortune, whether to lift a minion from the dust
or hurl him back again; men might be taken by Barbary corsairs and sold
for slaves, or turn Turks, as occasion required. The world was fuller
of chances and changes than now, and the boundaries of the possible,
if not of the probable, far wider. Massinger was discreet in the use
of these privileges, and does not abuse them, as his contemporaries
and predecessors so often do. His is a possible world, though it be in
some ways the best of all possible worlds. He puts no strain upon our
imaginations.
Public-domain text, read in full here on John Shaqi.
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