An early and handsome specimen of such a clock is seen in Figure 94. This clock was made in the latter part of the seventeenth century by Daniel Quare, the successor of Thomas Tompion. It is a one-year clock and is at Hampton Court Palace. The dial face is square, and the top lifts off. The case is very handsomely carved and has some very handsome figures on the top. The second clock shown in Figure 94 is in a black and gold lacquered case, and was made by J. Harrison in 1715. It is at the Guildhall Museum, London. This shows the carved top of the dial face which became universally adopted. The most important part of one of these clocks is the pendulum, for the long case was brought into use solely for the pendulum, as mechanism had not been invented to permit it to swing in a confined space. The first long-case clocks were comparatively small in size, and during the reign of William III., when everything Dutch was in fashion, the cases were ornamented with marquetry in beautiful patterns and variously coloured woods. Sometimes this was made even richer by inlay of mother-of-pearl, and there were cases also of splendid lacquer-work, gold on black grounds, like that in Figure 94, some of which found their way to America and are either museum specimens or treasured in private collections. There are many clocks with English works housed in Dutch cases, but this is understandable from the fact that so many Dutch cabinet-makers were settled in London. Besides the square face to the dial of these early clocks there were peculiarities of the case as well. On either side of the upper part of the case there were carved spiral pillars, like those we find in old chairs of the same period. These were occasionally finished off by carved or gilt pilasters, and on some choice specimens, notably of Tompion's clocks, there are pillars at the back also. This style of pillar was used also in Queen Anne's time. The clocks might stand flat on the floor or be raised an inch or two on a short foot. The long doors had mouldings, corresponding to the period of their manufacture, and many had a piece of glass or a bull's-eye let into the wood, so that the motion of the pendulum could be seen.