The Old Furniture Book, with a Sketch of Past Days and WaysMoore, N. Hudson
History
The Old Furniture Book, with a Sketch of Past Days and Ways
Moore, N. Hudson
Furniture
[Illustration: Figure 32. HEPPLEWHITE SETTEES.]
[Illustration: Figure 33. SHERATON CHAIRS.]
It was no longer necessary to make the legs of chairs of such stout
proportions, and as the bodies of the chairs were lighter so the legs
dwindled exceedingly and were given only a semblance of solidity by
the use of the "spade-foot" so much affected by Hepplewhite. Their
appearance of fragility was farther enhanced by groovings and flutings,
but they are always pretty.
Although his characteristic chairs have shield-shaped or oval backs, he
gives in his book eighteen designs of bannister-backed chairs, to be
carried out in mahogany. The general dimensions given by Hepplewhite
for his chairs are as follows:
"Width in front, 20 inches; depth of seat, 17 inches; height of
seat frame, 17 inches; total height, about 37 inches."
He gives most definite directions about coverings. Mahogany chairs
should have the seats of horsehair, plain, striped, checkered, etc.,
according to taste; or cane bottoms with cushions which should be
covered with the same material as the bed and window curtains. He was
fond of the "Duchess," which consisted of two Barjeer or arm-chairs
with a stool between them, all three pieces fitting together at
pleasure and making a lounge from six to eight feet long. His
press-beds vary little in appearance from wardrobes, but it was in
smaller and daintier pieces that his particular talent found play. His
knife-boxes are extremely elegant, particularly when in urn shape with
a rod in the centre to prevent the top of the urn from being removed.
All the handles and knobs on his larger pieces of furniture are round,
but on sideboards frequently oval, his double chests of drawers have
either French or block feet.
Tripod reading-desks, urn-stands, beautiful tea-trays, caddies and
tea-chests are richly inlaid or painted. We find him not only making
very ornate and richly inlaid card-tables, but "Pembroke tables" as
well, with either round or square tops. Such tables have leaves, but,
instead of the legs moving out to support the leaves, small arms come
out from the table-frame.
Public-domain text, read in full here on John Shaqi.
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