The Old Furniture Book, with a Sketch of Past Days and WaysMoore, N. Hudson
History
The Old Furniture Book, with a Sketch of Past Days and Ways
Moore, N. Hudson
Furniture
Sheraton's beds seem almost as impossible as Chippendale's. He, too,
made alcove, sofa, or couch beds. He also gave designs for "summer
beds" made in two compartments (we should call them "twin beds,") but
both are included under a frame or canopy, and the whole affair is
very cumbersome and heavy. His chairs, tables, and sideboards are the
pieces by which we know him best and in which he is most admirable. He
says himself, in regard to drawing-room chairs, that many are finished
in white and gold, or that the ornaments may be japanned, but that
the French finish them in mahogany with gilt mouldings. Sheraton
made very dainty designs for tripod stands, fire-screens and ladies'
desks, with tambour doors. Also "bason"-stands with tambour doors and
writing-desks with curved cylinder tops, which tops fell into the
space behind the pigeon-holes and drawers. Wash-hand tables had also
these curved cylinder tops, and all furniture which was put to toilet
purposes was so arranged that it would look like something else, and
transform a bedroom into a boudoir. These cylinder-topped pieces were
designed as early as 1792.
[Illustration: Figure 37. SHERATON SIDEBOARD.]
In furniture, as in art, there are no absolutely abrupt changes, but
one style is overshadowed by another as Chippendale gradually overcame
the rococo and stood for an individual style. Hepplewhite influenced
Sheraton very much, although the latter declares in one of his books,
published two years later than Hepplewhite's, that the latter's designs
have become quite antiquated. Such a piece of furniture is seen in the
sideboard-table or sideboard given in Figure 35. It was undoubtedly
made by one of these two men, and it is difficult to decide which. The
form of foot is more common to Hepplewhite than to Sheraton, and the
inlaid border of satin-wood is wider than he was wont to use. The brass
rail at the back was used to support silver or porcelain dishes. The
handles are original and the wood mahogany. This handsome piece belongs
to the Waring Galleries, London.
Public-domain text, read in full here on John Shaqi.
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