The Old Furniture Book, with a Sketch of Past Days and WaysMoore, N. Hudson
History
The Old Furniture Book, with a Sketch of Past Days and Ways
Moore, N. Hudson
Furniture
Figure 39 shows a handsome sofa of carved mahogany, Empire style,
before it had arrived at its heaviest stage. The carving is extremely
handsome, both rails of seat and back being decorated with dolphins.
The foot is of the bear shape, and the arms are graceful in curve. This
piece is of English make.
While we miss in the late Empire styles--say from 1810 to 1825--much
of the lightness and grace which had been contributed by the carving
and inlay which were so freely used in the preceding period, yet there
was a solidity and massive dignity which was not without a certain
charm. Then, too, these pieces were generally veneered, and in them the
beautiful grain of the mahogany, which was the favorite wood, showed
to greatest advantage. The sofa in Figure 40 is such a piece. It is of
unusual length, the top of the arm is stuffed, thus doing away with
"squabs," as the cushions which were used on sofas, long and narrow,
were called.
The wood, which is largely shown, is of that dark rich hue inclined
to red, with veining many shades darker, and it is in a fine state of
preservation. This piece belongs to Anthony Killgore, Esq., Flemington,
N. J.
[Illustration: Figure 41. PIER-TABLE.]
[Illustration: Figure 42. EMPIRE SIDEBOARD.]
To about the same period does the pier-table belong (Figure 41), which
is not usual in design, because of the third pier which starts from a
circular shelf in the middle of the base. The swan piers at each end
are very graceful, and the handsome grain of the mahogany is shown
to great advantage. This piece belongs to the Misses Killgore, of
Flemington, N. J., as does the sideboard shown in Figure 42. The doors
of the lower part, with the fan, are solid mahogany, the carving on the
legs and ornamental scrolls is fine. The middle of the top is raised to
permit the insertion of a looking-glass, and the capitals at the tops
of the pillars are of fine brass-work. Above the middle drawer, a shelf
draws out for use in serving meals. The whole sideboard sets back on a
little shelf above the bear's feet, a feature not unusual in the finer
boards of this period.
The surroundings of this fine old piece of furniture are in keeping
with its importance, the china showing above it on the wall being the
Staffordshire blue made during the first quarter of the nineteenth
century, while the mirror directly above it is of equal age.
Environment has a great deal to do with bringing out the true beauties
of this stately old furniture. It must be surrounded with objects of
approximate age and of equal dignity, otherwise it looks as unseemly as
an ancient dame with a pink rose in her hair. The work-table shown in
Figure 43 belongs to the same period, but of a little earlier date than
the last pieces shown. The legs are richly carved, as is the central
pillar. This also belongs to the Misses Killgore.
Public-domain text, read in full here on John Shaqi.
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