The Old Inns of Old England, Volume 1 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own CountryHarper, Charles G. (Charles George)
History
The Old Inns of Old England, Volume 1 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own Country
Harper, Charles G. (Charles George)
England -- Social life and customs; Hotels -- England
The picture-sign of the “Crispin and Crispianus” is said to be a copy of a
painting in the church of St. Pantaléon at Troyes, and certainly (but
chiefly because of much varnish, and the dust and grime of the road) looks
very Old-Masterish. The two saints, seated uncomfortably close to one
another, and looking very sheepish, appear to be cutting out a piece of
leather to the order of an interesting and gigantic pirate.
A mysterious incident occurred in 1830 at this house, in the death of a
man who had acted as ostler at the coaching inns of Rochester and Chatham,
and had afterwards tramped the country as a hawker. He lay here dying, in
an upper room, and told the doctor who was called to him the almost
incredible story that he was really Charles Parrott Hanger, Earl of
Coleraine, and not “Charley Roberts,” the name he had usually been known
by for twenty years. Although his life had been so squalid and apparently
poverty-stricken, he left £1,000 to his son, Charles Henry Hanger.
The “Crispin and Crispianus,” in common with most other erstwhile humble
inns, has experienced a social levelling-up since the time when Dickens
mentioned it as a house where tramping tinkers and itinerant clock-makers,
coming into Strood “yonder, by the blasted ash,” might lie. In these
times, when the blasted dust of the Dover road is the most noticeable
feature, and a half-century has effected all manner of wonderful changes,
tramps and their kin find no harbourage at the old house, whose invitation
to cyclists and amateur photographers sufficiently emphasises its improved
status.
In _Great Expectations_ is found a notice of the “Cross Keys,” Wood
Street, Cheapside, a coaching inn abolished in the ’70’s; but it is merely
an incidental reference, on the occasion of Pip’s coming to London by
coach from Rochester. The inns of that story are, indeed, not well seen,
and although that little boarded inn at Cooling, the “Horseshoe and
Castle,” is identified as the “Three Jolly Bargemen” of the tale, you can
find in those pages no illuminating descriptive phrase on which to put
your finger and say, conscientiously, “Found!”
Only at the close of the story, where, in Chapter LIV., Pip is
endeavouring to smuggle the convict, Magwitch, out of the country, down
the Thames, do we find an inn easily identified. That is the melancholy
waterside house below Gravesend, standing solitary on a raised bank of
stones, where Pip lands: “It was a dirty place enough, and I daresay not
unknown to smuggling adventurers; but there was a good fire in the
kitchen, and there were eggs and bacon to eat, and various liquors to
drink. Also there were two double-bedded rooms--‘such as they were,’ the
landlord said.” Outside there was mud: mud and slimy stones, and rotten,
slimy stakes sticking out of the water, and a grey outlook across the
broad river.
Public-domain text, read in full here on John Shaqi.
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