The Old Inns of Old England, Volume 2 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own CountryHarper, Charles G. (Charles George)
History
The Old Inns of Old England, Volume 2 (of 2): A Picturesque Account of the Ancient and Storied Hostelries of Our Own Country
Harper, Charles G. (Charles George)
England -- Social life and customs; Hotels -- England
The name of the house commemorates Fox, the great Bishop of Winchester,
whose device was “A Pelican in her Piety.” It represents a pelican
guarding a nest of three young birds, and feeding them with blood from
her breast. The device is painted on one side of the board, and the name
of the house is inscribed on a scroll on the other.
[Illustration: THE “FOX AND PELICAN,” GRAYSHOTT.]
Many other pictorial inn-signs have of late years replaced the merely
lettered boards, and although the artists are not famous, or even
well-known, the average merit of the work is high. A particularly good
example is the double-sided sign of a little thatched rural inn, the “Cat
and Fiddle,” between Christchurch and Bournemouth; where on one side you
perceive the cat seated calmly, in a domestic manner, while on the other
he is reared upon his hind-legs, fiddle-playing, according to the
nursery-rhyme:
Hey, diddle, diddle,
The Cat and the Fiddle,
The Cow jumped over the Moon,
The Little Dog laughed to see such sport,
And the Dish ran away with the spoon.
Serious antiquaries--a thought too serious--have long attempted to find a
hidden meaning in the well-known sign of the “Cat and Fiddle.” According
to some commentators, it derived from “_Caton fidèle_,” one Caton, a
staunch Protestant governor of Calais in the reactionary reign of Queen
Mary, who could justly apply to himself the praise: “I have fought the
good fight, I have kept the Faith,” while in the rhyme it has been sought
to discover some veiled political allusion, carefully wrapped up in
nursery allegory, in times when to interfere openly in politics, or to
criticise personages or affairs of State was not merely dangerous, but
fatal. Ingenious people have discovered in the wild jingle an allusion to
Henry the Eighth and the Disestablishment of the Monasteries, and others
have found it to be a satire on James the Second and the Great Rebellion.
Given the requisite ingenuity, there is no national event to which it
could not be compared; but why not take it merely for what it is: a bundle
of inconsequent rhymes for the amusement of the childish ear?
[Illustration: THE “CAT AND FIDDLE,” NEAR CHRISTCHURCH.]
[Illustration: THE “CAT AND FIDDLE,” NEAR CHRISTCHURCH.]
From every point of view the revival and spread of the old fashion of
artistic sign-boards is to be encouraged, for it not only creates an
interest in the different localities, but serves to perpetuate local
history and legend.
A remarkable feature of the “Swan” at Fittleworth is the number of
pictures painted by artists on the old panelling of the coffee-room.
Public-domain text, read in full here on John Shaqi.
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