Humorous stories; Man-woman relationships -- Fiction; Marriage -- Fiction; Single women -- Fiction
"Tut, tut, Andrew," said Taffy Owen, "it's all very well of you to talk
who've only got to do the criticism. And I think it's deuced ungrateful
of you after we've written you up into the position of leading English
critic to want us to give you straw for your bricks! Do we ever complain
when you call us cataclysmic, creative, esemplastic, or even epicene? We
know it's rot, but we put up with it. When you said that Robinson's last
novel had all the glow and genius of Dickens without his humor, all the
ripe wisdom of Thackeray without his social knowingness, all the
imaginativeness of Shakespeare without his definiteness of
characterization, we all saw at once that you were incautiously allowing
the donkey's ears to protrude too obviously from beneath the lion's
skin. But did anyone grumble? Did Robinson, though the edition was sold
out the day after? Did I, though you had just called me a modern
Buddhist with the soul of an ancient Greek and the radiant fragrance of
a Cingalese tea-planter? I know these phrases take the public and I try
to be patient."
"Owen is right," Harry Robinson put in emphatically. "When you said I
was a cross between a Scandinavian skald and a Dutch painter, I bore my
cross in silence."
"Yes, but what else can a fellow say, when you give the public such
heterogeneous and formless balderdash that there is nothing for it but
to pretend it's a new style, an epoch-making work, the foundation of a
new era in literary art? Really I think you others have out and away the
best of it. It's much easier to write bad books than to eulogize their
merits in an adequately plausible manner. I think it's playing it too
low upon a chap, the way you fellows are going on. It's taking a mean
advantage of my position."
"And who put you into that position, I should like to know?" yelled Dick
Jones, becoming poetically excited. "Didn't we lift you up into it on
the point of our pens?"
"Fortunately they were not very pointed," ejaculated the great critic,
wriggling uncomfortably at the suggestion. "I don't deny that, of
course. All I say is, you're giving me away now."
"You give yourself away," shrieked Owen vehemently, "with a pound of
that Cingalese tea. How is it Boyle managed to crack up our plays
without being driven to any of this new-fangled nonsense?"
Public-domain text, read in full here on John Shaqi.
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