The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of TieckTieck, Ludwig
General
The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck
Tieck, Ludwig
German fiction -- Translations into English
Now sounded the solemn tolling of the bells, and the bearers were on
the point of taking up the coffin, to carry the corpse into the
burial-vault of the great church, when loud riotous shouts of
exultation and pealing laughter and the cries of an unrestrained joy
disturbed and alarmed the parents and kinsfolk, the priests and
mourners. All lookt indignantly round, when out of the next street a
merry troop of young men came boisterously toward them, singing and
huzzaing, and evermore again and again crying a long life! to their
venerable teacher. They were the students of the university, carrying
an aged man of the noblest aspect on a chair raised atop of their
shoulders, where he sat as on a throne, covered with a purple cloak,
his head adorned with a doctor's hat, from beneath which white silver
locks hung forth, while a long white beard flowed down majestically
over his black velvet doublet. Beside him came a fool with bells and
in a motley dress, jumping about, and striving by blows and by jests
to make way for the train through the people and the line of mourners:
but on a sign from the venerable old man the students lowered his
chair; he descended, and approacht the weeping parents, much moved and
with a solemn demeanour.
"Forgive me," said he mournfully and with a tear in his eye, "that
this wild tumult thus breaks in upon your burial rites, which grieve
and shock me to the heart. I am just come back at length from my
journey; my scholars wisht to celebrate my enterance by their joy; I
yielded to their entreaties and preparations; and I now find ... how?
your Crescentia, that fairest emblem of all loveliness and virtue,
here before you in her coffin. And all around there is this dark pomp
and these forms of sorrow, accompanying her with tears and the heart's
woe to her place of rest."
He beckoned to his companions, and spake a few words. All had long
since become quiet and silent, and most of them now withdrew, that
they might not interrupt the funeral.
Then the mother came nearer tottering, and sank down before the form
of the old man, while she embraced his knee in convulsive grief. "Ah!
why were you not here?" she cried despairingly; "your art, your
knowledge would have saved her. O Pietro! Pietro! you, the friend of
our house! how could you thus let your darling, the apple of your eye,
perish? But come! Awaken her even now! Pour into her even now one of
those wonderworking elixirs which you know how to compound; and in
return take all that we possess, so she be but again here, walking
about among us and talking to us."
Public-domain text, read in full here on John Shaqi.
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