The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of TieckTieck, Ludwig
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The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck
Tieck, Ludwig
German fiction -- Translations into English
His servant came back and said: "Master, all is quiet and well; but
sundry light forms flitted by me and lost themselves in the dark sky.
Thereupon, while I kept staring immovably toward the dome, a mighty
crash sounded, as if all the strings of a harp were breaking at once,
and a clap came that made the streets and the houses all tremble. The
great door of the church burst open; flutes warbled sweetly and
lovelily; and a soft light brightness streamed forth from the heart of
the church. Immediately after the form of a woman stept into the
radiance, pale, but glancing, bedeckt with crowns of flowers; she
glided through the door, and gleams of light strewed a path for her to
tread along. Her head upright, her hands folded, she is floating
hither toward our dwelling. Is this she for whom you have been
waiting?"
"Take the golden key," answered Pietro, "and unlock the innermost
richest chamber of my house. See that the purple tapestries are spread
out, that the perfumes are scattering their sweetness. Then away, and
get thee to bed. Make no further inquiry into what happens. Be
obedient and silent, as thou valuest thy life."
"I know you too well," returned the dwarf, and walkt off with the key,
casting back another look of something like mischievous delight.
Meanwhile a lovely murmur approacht. Pietro went into the
entrance-hall, and in glided the pale body of Crescentia, in her robe
of death, still holding the crucifix in her folded hands. He stood
still before her; she drew up the lids from her large eyes, and shrank
back from him with such a quick start that the wreaths of flowers
dropt down from her shaking head.
Without speaking a word he wrested her fast-claspt hands asunder; but
in the left she kept the crucifix tightly clencht. By the right hand
he led her through room after room, and she moved by his side stiffly
and with indifference, never looking around.
They reacht the furthest chamber. Purple and gold, silk and velvet,
were its costly garniture. The light only glimmered in faintly by day
through the heavy curtains. He pointed to the couch; and the
unconscious holder of a charmed life stoopt and bent down like a lily
that the wind shakes; she sank upon the red coverlet and breathed
painfully.
From a golden vial the old man poured a precious essence into a little
crystal cup, and set it before her mouth. Her pale lips sipt the
wonderous draught; she again unfolded her eyes, fixt them on her
former friend, turned away from him with an expression of loathing,
and fell into a deep sleep.
The old man carefully closed the chamber again. Everything in the
house was quiet. He betook himself to his own room, there in the midst
of his books and magical instruments to await the rising of the sun
and the business of the day.
* * * * *
Public-domain text, read in full here on John Shaqi.
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