The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of TieckTieck, Ludwig
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The Old Man of the Mountain, The Lovecharm and Pietro of Abano: Tales from the German of Tieck
Tieck, Ludwig
German fiction -- Translations into English
"Why recoil from them?" askt Roderick: "why should we see nothing in
the vast realm of water, in lakes, rivers, and seas, but those dismal
objects which you have taught yourself to find there? why not rather
look on such creatures as queer, amusing, and ludicrous mummers? so
that the deep might be called a kind of large maskt ballroom. But your
caprices go still further; for while you love roses with a sort of
idolatry, there are other flowers for which you have a no less
passionate hatred: yet what harm has the dear bright tulip ever done
you? or all the other gay children of summer that you persecute? Thus
again you have an antipathy to sundry colours, to sundry scents, and
to a number of thoughts; and you never take any pains to strengthen
yourself against these moods, but give way to them and sink down into
them as into a luxurious feather bed; so that I often fear I shall
lose you altogether some day, and find nothing but a patchwork of
whims and prejudices sitting at that table instead of my Emilius."
Emilius was wroth to the bottom of his heart, and answered not a word.
He had now given up all thought of making his intended confession; nor
did the thoughtless Roderick shew the least wish to hear the secret
which his melancholy companion had announced to him with such an air
of solemnity. He was sitting carelessly in the armchair, playing with
his mask, when on a sudden he cried: "Be so kind, Emilius, as to lend
me your large cloak."
"What for?" askt the other.
"I hear music in the church over the way," answered Roderick; "and
some how or other I have mist this hour every evening since we have
been here. Today it comes just in the nick: I can cover my dress with
your cloak, hiding my mask and turban under it; and so, when the music
is over, I may go straight to the ball."
Emilius muttered between his teeth as he went for the cloak to his
wardrobe, and then, forcing himself to put on an ironical smile, he
gave it to Roderick who was already on his legs.
"There, I'll leave you my Turkish dagger that I bought yesterday,"
said the mask, as he wrapt himself up: "Take care of it for me; it is
a bad habit, this carrying about toys of cold steel: one can never
tell what ill use may not be made of them, should a quarrel arise, or
any other knot that it is easier to cut than untie. We shall meet
again tomorrow; good bye; a pleasant evening to you." He did not wait
for an answer, but ran down stairs.
When Emilius was alone, he tried to forget his anger, and to look only
at the laughable side of his friend's behaviour. His eyes rested on
the shining, finely wrought dagger, and he said: "What must be the
feelings of a man who could thrust this sharp iron into the breast of
an enemy! but oh, what must be his who should hurt a beloved object
with it!"
Public-domain text, read in full here on John Shaqi.
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