In at least one respect, every geological history must of necessity
be unsatisfactory; and, ere I pass to the history of the two upper
formations of the system, the reader must permit me to remind him of
it. There have been individuals, it has been said, who, though they
could see clearly the forms of objects, wanted, through some strange
organic defect, the faculty of perceiving their distinguishing
colors, however well marked these might be. The petals of the rose
have appeared to them of the same sombre hue with its stalk; and they
have regarded the ripe scarlet cherry as undistinguishable in tint
from the green leaves under which it hung. The face of nature to such
men must have for ever rested under a cloud; and a cloud of similar
character hangs over the pictorial restorations of the geologist.
The history of this and the last chapter is a mere profile drawn
in black, an outline without color--in short, such a chronicle of
past ages as might be reconstructed, in the lack of other and ampler
materials, from tombstones and charnel-houses. I have had to draw
the portrait from the skeleton. My specimens show the general form
of the creatures I attempt to describe, and not a few of their more
marked peculiarities; but many of the nicer elegancies are wanting;
and the "complexion to which they have come" leaves no trace by which
to discover the complexion they originally bore. And yet color is a
mighty matter to the ichthyologist. The "fins and shining scales,"
"the waved coats, dropt with gold," the rainbow dyes of beauty of
the watery tribes, are connected often with more than mere external
character. It is a curious and interesting fact, that the hues of
splendor in which they are bedecked are, in some instances, as
intimately associated with their instincts--with their feelings, if
I may so speak--as the blush which suffuses the human countenance
is associated with the sense of shame, or its tint of ashy paleness
or of sallow with emotions of rage, or feelings of a panic terror.
Pain and triumph have each their index of color among the mute
inhabitants of our seas and rivers. Poets themselves have bewailed
the utter inadequacy of words to describe the varying tints and
shades of beauty with which the agonies of death dye the scales of
the dolphin, and how every various pang calls up a various suffusion
of splendor.[BD] Even the common stickleback of our ponds and ditches
can put on its colors to picture its emotions. There is, it seems, a
mighty amount of ambition, and a vast deal of fighting sheerly for
conquests' sake, among the myriads of this pygmy little fish which
inhabit our smaller streams; and no sooner does an individual succeed
in expelling his weaker companions from some eighteen inches or two
feet of territory, than straight way the exultation of conquest
converts the faded and freckled olive of his back and sides into a
glow of crimson and bright green. Nature furnishes him with a regal
robe for the occasion.
Public-domain text, read in full here on John Shaqi.
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