A much greater painter than he was Polygnotus of Thasos, the contemporary of Phidias, who came to Athens about the year 463 B.C., one of the greatest geniuses of any age, and one of the most magnanimous; and had the good fortune to live in an age of exceeding intellectual activity. He was employed on the public buildings of Athens, and on the great temple of Delphi, the hall of which he painted gratuitously. He also decorated the Propylaea, which was erected under the superintendence of Phidias. His greatness lay in statuesque painting, which he brought nearly to perfection by the ideal expression, the accurate drawing, and improved coloring. He used but few colors, and softened the rigidity of his predecessors by making the mouth of beauty smile. He was the first who painted woman with brilliant drapery and variegated head-dresses. He gave great expression to the face and figure, and his pictures were models of excellence for the beauty of the eyebrows, the blush upon the cheeks, and the gracefulness of the draperies. He was a great epic painter, as Phidias was a sculptor, and Homer a poet, since he expressed not passion and emotion only, but ideal character. He imitated the personages and the subjects of the old mythology, and treated them in an epic spirit. He strove, like Phidias, to express character in repose. His subjects were almost invariably taken from Homer and the Epic cycle. His pictures had nothing of that elaborate grouping, aided by the powers of perspective, so much admired in modern art. His figures were grouped in regular lines, as in the bas-reliefs upon a frieze. He painted on panels which were afterward let into the walls. He used the pencil, instead of painting in encaustic with the cestrum.