The Old Roman World : the Grandeur and Failure of Its Civilization.Lord, John
History
The Old Roman World : the Grandeur and Failure of Its Civilization.
Lord, John
Rome -- Civilization
nature as it is, and the sights and wonders of the external world, all
narrated with singular simplicity, yet marvelous artistic skill. We find
accuracy, delicacy, naturalness, yet grandeur, sentiment, and beauty,
such as Pheidias represented in his statues of Jupiter. No poems have
ever been more popular, and none have extorted greater admiration from
critics. Like Shakespeare, Homer is a kind of Bible to both the learned
and unlearned among all people and ages--one of the prodigies of this
world. His poems form the basis of Greek literature, and are the best
understood and the most widely popular of all Grecian composition. The
unconscious simplicity of the Homeric narrative, its vivid pictures, its
graphic details and religious spirit, create an enthusiasm such as few
works of genius can claim. Moreover, it presents a painting of society,
with its simplicity and ferocity, its good and evil passions, its
compassion and its fierceness, such as no other poem affords. [Footnote:
The Homeric poems have been translated into nearly all the European
languages, and several times into English. The last translation is by
the Earl of Derby--a most remarkable work. Guizot, _Cours d'Hist.
Mod_., Lecon 7me; Grote, vol. ii. p. 277; _Studies in Homer_, by
Hon. W. E. Gladstone; Mure, _Critical Hist. of Lang. and Lit. of
Greece_; Muller, _Hist, of the Lit. of Ancient Greece_, translated
by Donaldson.] Nor is it necessary to speak of any other Grecian
epic, when the Iliad and the Odyssey attest the perfection which
was attained one hundred and twenty years before Hesiod was born. Grote
thinks that the Iliad and the Odyssey were produced at some period
between 850 B.C., and 776 B.C.
[Sidenote: Pindar.]
In lyrical poetry the Greeks were no less remarkable, and indeed they
attained to absolute perfection, owing to the intimate connection
between poetry and music. Who has surpassed Pindar in artistic skill?
His _triumphal odes_ are paeans, in which piety breaks out in
expressions of the deepest awe, and the most elevated sentiments of
moral wisdom. They alone of all his writings have descended to us, but
all possess fragments of odes, songs, dirges, and panegyrics, which show
the great excellence to which he attained. He was so celebrated that he
was employed by the different states and princes of Greece to compose
choral songs for special occasions, especially the public games.
Although a Theban, he was held in the highest estimation by the
Athenians, and was courted by kings and princes. [Footnote: Born in
Thebes 522 B.C., and died probably in his eightieth year, and was
contemporary with Aeschylus and the battle of Marathon.] We possess,
also, fragments of Sappho, Simonides, Anacreon, and others, enough to
show that, could the lyrical poetry of Greece be recovered, we should
probably possess the richest collection that the world has produced.
[Sidenote: Greek dramatic poetry.]
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