The scenery of the drama comprised a Gothic hall in the Baron's castle, a rocky pass in Calabria, a forest, a rustic bridge, with a distant view of the castle, a Gothic chamber, and a baronial hall, decorated with banners and trophies. In the fourth scene a chivalric procession was introduced, and in the last a combat with battle-axes. The drama was followed, as usual, by a pantomime entitled _Mirth and Magic_, which concluded with a "grand panoramic view of Gibraltar, painted by the first artists." Saunders was there, with a circus, and seems to have attended the fair with considerable regularity. He was often in difficulties, however, and on one occasion, after borrowing a trick horse of Astley, his stud was taken in execution for debt, and the borrowed horse was sold with the rest. Some time afterwards, two equestrians of Astley's company were passing a public-house, when they recognised Billy, harnessed to a cart which was standing before the door. Hearing their voices, the horse erected his ears, and, at a signal from one of them, stood up on his hind legs, and performed such extraordinary evolutions that a crowd collected to witness them. On the driver of the cart coming from the public-house, an explanation of Billy's appearance in cart-harness was obtained with the observation that "he was a werry good 'orse, but so full o' tricks that we calls 'im the mountebank." Billy, I scarcely need say, was returned to his stall in Astley's stables very soon after this discovery. Miss Biffin was still attending the fairs, painting portraits with her right shoulder, and in 1808 attracted the attention of the Earl of Morton, who sat to her for his likeness, and visited her "living carriage" several times for that purpose. In order to test her ability, he took the portrait away with him, after each sitting, and thus became satisfied that it was entirely the work of her own hand, or rather shoulder. Finding that the armless little lady really possessed artistic talent, he showed the portrait to George III., who was pleased to direct that she should receive instruction in drawing at his expense. The Earl of Morton corresponded with this remarkable artist during a period of twenty years. She was patronised by three successive sovereigns, and from William IV. she received a small pension. She then yielded to the wish of the Earl of Morton that she should cease to travel, and settled at Birmingham, where, several years afterwards, she married, and resumed, as Mrs. Wright, the pursuit of her profession.