The Old Showmen and the Old London FairsFrost, Thomas
History
The Old Showmen and the Old London Fairs
Frost, Thomas
Fairs -- England -- London; London (England) -- Social life and customs
The remainder of the shows of this class charged a penny only for
admission. Of Samwell's, Hone says,--"I paid my penny to the money-taker,
a slender 'fine lady,' with three feathers in a 'jewelled turban,' and a
dress of blue and white muslin, and silver; and within-side I saw the
'fat, contented, easy' proprietor, who was arrayed in corresponding
magnificence. If he loved leanness, it was in 'his better half,' for
himself had none of it. Obesity had disqualified him for activity, and
therefore in his immensely tight and large satin jacket, he was, as much
as possible, the active commander of his active performers. He
superintended the dancing of a young female on the tight rope. Then he
announced 'A little boy will dance a horn-pipe on the rope,' and he
ordered his 'band' inside to play; this was obeyed without difficulty, for
it merely consisted of one man, who blew a hornpipe tune on a Pan's-pipe;
while it went on, the little boy danced on the tight rope; so far it was a
hornpipe dance, and no farther. 'The little boy will stand on his head on
the rope,' said the manager; and the little boy stood on his head
accordingly. Then another female danced on the slack wire; and after her
came a horse, not a dancing horse, but a 'learned' horse, quite as learned
as the horse at Ball's theatre."
At the show last mentioned was a man who balanced chairs on his chin, and
holding a knife in his mouth, balanced a sword on the edge of the knife;
he then put a pewter plate on the hilt of the sword horizontally, and so
balanced the sword with the plate on the edge of the knife as before, the
plate having previously had imparted to it a rotary motion, which it
communicated to the sword, and preserved during the balance. He also
balanced the sword and plate in like manner, with a crown-piece placed
edge-wise between the point of the sword and the knife; and afterwards
with two crown-pieces, and then with a key. These feats were accompanied
by the jokes and grimaces of a clown, and succeeded by an acrobatic
performance by boys, and a hornpipe by the lady of the company. Then a
learned horse was introduced, and, as desired by his master, indicated a
lady who wished to be married, a gentleman who preferred a quart of ale to
a sermon, a lady who liked lying in bed when she should be up, and other
persons of various proclivities amusing to the rest of the spectators.
Public-domain text, read in full here on John Shaqi.
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