The Old Showmen and the Old London FairsFrost, Thomas
History
The Old Showmen and the Old London Fairs
Frost, Thomas
Fairs -- England -- London; London (England) -- Social life and customs
Among the minor shows attending the fairs of the southern counties at this
period was the portable theatre of Newman and Allen, which, towards the
end of the summer, was pitched upon a piece of waste ground at Norwood,
and remained there two or three weeks. The fortunes of the company seemed
at low ebb, and the small "houses" which they had nightly, with a charge
for admission of twopence to front seats, and a penny to the back, did not
place the treasury in a very flourishing condition. Small as the company
was, they aimed at a higher performance than was usually given in a
portable theatre, for on the two occasions that I patronised the canvas
temple of Thespis the plays were _Virginius_ and _John Bull_, considerably
cut down, as was to have been expected, the smallness of the company
rendering it necessary to excise some of the characters.
Only one performance was given each night, and a farce preceded the play,
the interval between the pieces being filled up with a comic song, sung by
the low comedy man, and an acrobatic performance by a young lady whose
name I learned was Sarah Saunders. Whether she was related to old Abraham
Saunders, I do not know; but the tendency of show-folks to make their
vocations hereditary renders it very probable. She was the first female
acrobat I ever saw, and an actress besides; and the peculiarity of her
acrobatic performance was, that she did not don trunks and tights for it,
like Madame Stertzenbach and others of her sex at the present day, but did
her "flips," etc., in her ordinary attire, like the little drabs from the
back slums of Westminster who may sometimes be seen turning heels over
head in St. James's Park.
When the brief season of the canvas theatre was brought to a close, and
the fittings, scenery, properties, etc., had left the village behind a
bony horse, it seemed that the proprietors had dissolved the partnership
which had existed between them; for a living carriage remained on the
ground, the occupants of which were old Newman, who had played the heavy
parts, and his nephew, Charles Little, the low comedy man. Whether the old
gentleman had realised a competency which satisfied his wants, or had some
small pension or annuity, or investment of some kind, never became known;
but there the wheeled abode of the two men stood for several years, Newman
cultivating a patch of the waste, and producing therefrom all the
vegetables they required for their own table, while his nephew
perambulated the neighbourhood with a basket, offering for sale tapes and
cottons, needles and pins, and other small wares of a similar description.
This new vocation seemed more lucrative than that of low comedian and
comic singer in a travelling theatre; for Charlie, as he was familiarly
called, dressed better every year, and, on the death of his uncle, took to
himself a wife, and, abandoning the living carriage, settled in a
neighbouring cottage.
Public-domain text, read in full here on John Shaqi.
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