The Old Showmen and the Old London FairsFrost, Thomas
History
The Old Showmen and the Old London Fairs
Frost, Thomas
Fairs -- England -- London; London (England) -- Social life and customs
There were two entrances to the fair from the town, one at the gate which
gave access at ordinary times to the foot-path across the field, leading
to Park Hill; and the other, made for the occasion, farther southward, for
the accommodation of those who approached the field from the avenues on
the east side of High Street. Each was bordered for a short distance by
the standings of itinerant vendors of walnuts, oysters, and fried
sausages, beyond which was a long street of gingerbread stalls,
terminated, in the one case, by the shows of the exhibitors of wax-work,
living curiosities, and pictorial representations of great historical
events, and in the other by the smaller and less pretentious
drinking-booths. At right angles to these canvas streets, and opening from
them near their commencement, was a third, covered over with an awning,
and composed of the stalls of the dealers in toys and fancy goods. This
was called Bond Street.
Parallel with this avenue, and connecting the further ends of the two
streets of gingerbread stalls, was one broader than the others, bordered
on the side from which it was approached with gingerbread stalls, and on
the further side with the principal shows and booths. First in order, on
the latter side, stood Clarke's circus, with the proprietor on the steps,
in a scarlet coat and white breeches, smacking a whip, and shouting, "This
way for the riders! the riders!" Three or four spotted and cream-coloured
horses, gaily caparisoned, stood on the platform, and a clown cracked his
"wheeze" with a couple of young fellows in tights and trunks, in their
intervals of repose from acrobatic feats of the ordinary character.
Next to the circus stood a portable theatre, usually Scowton's, in rivalry
with the neighbouring show of the famous Richardson, which was always the
largest, and was worked by the strongest company. On the exterior
platforms of both, practical jokes were played upon the pantaloon by the
harlequin and the clown; young ladies in short muslin skirts danced to the
lively strains of the orchestra, and broad-sword combats were fought in
the approved one! two! three! over and under style. Next to Richardson's
show stood the menagerie of Wombwell or Atkins, where a broad array of
pictorial canvas attracted a wondering crowd, and the brazen instruments
of musicians, attired in uniforms copied from those of the royal
"beef-eaters," brayed and blared from noon till night.
Public-domain text, read in full here on John Shaqi.
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