The Old Showmen and the Old London FairsFrost, Thomas
History
The Old Showmen and the Old London Fairs
Frost, Thomas
Fairs -- England -- London; London (England) -- Social life and customs
When darkness began to descend upon the field, lamps flared and flickered
on the fronts of the shows, smaller lights glimmered along the toy and
gingerbread stalls, and thousands of tiny lamps, blue, and amber, and
green, and ruby, arranged in the form of crowns, stars, anchors, feathers,
etc., illuminated the booths. Then the showmen beat their gongs with
redoubled vigour, and bawled through speaking-trumpets till they were
hoarse; the bands brayed and blared louder than before; and the sounds of
harps and violins showed that dancing had commenced in the booths.
In those days it sometimes happened that two circuses attended the fair,
when the larger of the two was pitched in a field on the west side of the
road, and bounded on the south side by Mint Walk, one of the avenues by
which the fair was approached from High Street. In a circus thus
located--I think it was Clarke's--Miss Woolford, afterwards the second
wife of the great equestrian, Andrew Ducrow, exhibited her grace and
agility on the tight-rope in a blaze of fireworks, in emulation of the
celebrated Madame Saqui's performance at Vauxhall Gardens. The equestrian
profession still numbers Ducrows in its ranks, two young men of that name
belonging at the present time to Newsome's circus company; but I have not
met with the name of Woolford since 1842, when a young lady of that name,
and then about twelve or thirteen years of age, danced on the tight-rope
in a small show pitched at the back of the town-hall at Croydon, during
the July Fair.
The October fair at Croydon closed the season of the shows which confined
their perambulations to a distance of fifty miles from the metropolis,
where, or in the provincial towns possessing theatres, the actors, clowns,
acrobats, etc., obtained engagements for the pantomime season. This year,
the entire company of Johnson and Lee's theatre was engaged for the
Marylebone.
In 1839, this theatre, with John Douglass and Paul Herring still in the
company, stood next to Hilton's menagerie at Greenwich, where the season
commenced with most of the shows which made London their winter quarters.
It was about this time that James Lee, who was then manager of Hilton's
menagerie, suggested the certain attractiveness of the exhibition by a
young woman of the performances with lions and tigers which had been found
so productive to the treasuries of the Sangers, Batty, and Howes and
Cushing, when exhibited by a man. It was proposed to bring out as a "lion
queen" the daughter of Hilton's brother Joseph, a circus proprietor; and
the young lady, being familiar with her uncle's lions, did not shrink
from the distinction. She made her first public appearance with the lions
at Stepney Fair, and the performance proved so attractive that the example
was contagious. Edmunds had at this time a fine group of lions, tigers,
and leopards, and a young woman named Chapman (now Mrs. George Sanger)
volunteered to perform with them, as a rival to Miss Hilton.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account