The company were thrown into confusion, however, and cries of "shame! shame!" arose on every side. Heidegger, bursting with rage, again rushed in, and began to rave and swear at the musicians. The music ceased; and the Duke of Montagu persuaded Heidegger to go to the King, and make an apology for the band, representing that His Majesty was very angry. The counterfeit Heidegger immediately took the same course, and, as soon as Heidegger had made the best apology his agitation would permit, the former stepped to his side and said, "Indeed, sire, it was not my fault, but that devil's in my likeness." Heidegger faced about, pale and speechless, staring with widely dilated eyes at his double. The Duke of Montagu then told the latter to take off his mask, and the frolic ended; but Heidegger swore that he would never attend any public entertainment again, unless that witch, the wax-work woman, broke the mould and melted the mask before him. In 1742, the first place in Bartholomew Fair was again held, but for the last time, by Hippisley and Chapman, who revived the ever-popular Scapin in what they called "the most humorous and diverting droll, called _Scaramouch Scapin_ or the _Old Miser caught in a Sack_," the managers playing the same characters as in 1740. Hallam had made his last appearance at the fair in the preceding year, and his booth was now held by Turbutt and Yates, who set it up opposite the hospital gate, and produced _The Loves of King Edward IV. and Jane Shore_. Yates personated Sir Anthony Lackbrains, Turbutt was Captain Blunderbuss, and Mrs. Yates, Flora. A new aspirant to public favour appeared in Goodwin, whose booth stood opposite the White Hart, near Cow Lane, and presented a three act comedy, called _The Intriguing Footman_, followed by a pantomimic entertainment "between a soldier, a sailor, a tinker, a tailor, and Buxom Joan of Deptford." Fawkes and Pinchbeck announced that "Punch's celebrated company of comical tragedians from the Haymarket," would perform _The Tragedy of Tragedies_, "being the most comical and whimsical tragedy that was ever tragedized by any tragical company of comedians, called _The Humours of Covent Garden_, by Henry Fielding, Esq." In 1743, the erection of theatrical booths in Smithfield was prohibited by a resolution of the Court of Aldermen, and the interdict was repeated in the following year. The prohibition did not extend to Southwark Fair, however, though held by the Corporation; for Yates was there in the former year, with a strong company from the theatres royal playing _Love for Love_, with Woodward as Tattle, Macklin as Ben, Arthur as Foresight, Mrs. Yates as Mrs. Frail, and Miss Bradshaw as Miss Prue. The after-piece was _The Lying Valet_, in which Yates appeared as Sharp, and his wife as Kitty Pry.