The Old Showmen and the Old London FairsFrost, Thomas
History
The Old Showmen and the Old London Fairs
Frost, Thomas
Fairs -- England -- London; London (England) -- Social life and customs
A new Race of Showmen--Yeates, the Conjuror--The Turkish
Rope-Walker--Pan and the Oronutu Savage--The Corsican Fairy--Perry's
Menagerie--The Riobiscay and the Double Cow--A Mermaid at the
Fairs--Garrick at Bartholomew Fair--Yates's Theatrical Booth--Dwarfs
and Giants--The Female Samson--Riots at Bartholomew Fair--Ballard's
Animal Comedians--Evans, the Wire-Walker--Southwark Fair--Wax-work
Show--Shuter, the Comedian--Bisset, the Animal Trainer--Powell, the
Fire-Eater--Roger Smith, the Bell-Player--Suppression of Southwark
Fair.
The limitation of Bartholomew Fair to three days, and the interdiction of
theatrical booths in two successive years, was a serious blow, regarding
the matter from the professional point of view, to the interests of the
fair. Though actors worked hard during the twelve or eighteen days of the
fair, they earned higher salaries during that time than they would have
received at the theatres, and looked forward to Bartholomew-tide as the
labourer to harvest. Though the theatres remained open during the fair
when theatrical booths and puppet-shows were interdicted by the Court of
Aldermen, actors missed their extra earnings, and managers found their
receipts considerably diminished. In these we have only a passing
interest; but the glory of the fairs began to wane when the great actors
ceased to appear on the boards of the canvas theatres, for the nobility
and gentry withdrew their patronage when the luminaries of Drury Lane and
Covent Garden were no longer to be seen, and fairs began to be voted low
by persons of rank and fashion.
The removal of the interdict on theatrical booths had little or no effect
in arresting the progress of the decadence which had commenced; for the
three days to which Bartholomew Fair remained limited did not afford to
actors engaged at the London theatres, opportunities for earning money
sufficient to induce them to set up a portable theatre, which, except for
Southwark Fair, they could not use again until the following year. The
case was very different when the fair lasted two or three weeks, and the
theatres were closed during the time; but when its duration was contracted
to three days, the attendance of a theatrical company could be made
remunerative only for inferior _artistes_ who strolled all through the
year from one fair to another.
Public-domain text, read in full here on John Shaqi.
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