The Old Showmen and the Old London FairsFrost, Thomas
History
The Old Showmen and the Old London Fairs
Frost, Thomas
Fairs -- England -- London; London (England) -- Social life and customs
The question of suppressing both Bartholomew and Southwark Fairs was
considered by the Court of Common Council in 1760, and the City Lands
Committee was desired to report upon the tenures of the fairs, with a view
to that end. Counsel's opinion was taken, and the committee reported the
result of the inquiry, upon which the Court resolved that Southwark Fair
should be abolished henceforth, but that the interests of Lord Kensington
in the revenues of Bartholomew Fair prevented the same course from being
pursued in Smithfield. The latter fair was voted a nuisance, however, and
the Court expressed a determination to abate it with the utmost
strictness. Shuter produced a masque, called _The Triumph of Hymen_, in
honour of the approaching royal nuptials; it was the production of a
forgotten poet named Wignell, in a collected edition of whose poems it was
printed in 1762. Among the minor entertainers of this year at Bartholomew
Fair were Powell, the fire-eater, and Roger Smith, who gave a musical
performance upon eight bells, two of which were fixed upon his head-gear,
and one upon each foot, while two were held in each hand.
CHAPTER VII.
Yates and Shuter--Cat Harris--Mechanical Singing Birds--Lecture on
Heads--Pidcock's Menagerie--Breslaw, the Conjuror--Reappearance of the
Corsican Fairy--Gaetano, the Bird Imitator--Rossignol's Performing
Birds--Ambroise, the Showman--Brunn, the Juggler, on the Wire--Riot at
Bartholomew Fair--Dancing Serpents--Flockton, the
Puppet-Showman--Royal Visit to Bartholomew Fair--Lane, the
Conjuror--Hall's Museum--O'Brien, the Irish Giant--Baker's
Theatre--Joel Tarvey and Lewis Owen, the popular Clowns.
The relations between Yates and Shuter in the last two or three years of
their appearance as showmen at Bartholomew Fair are somewhat doubtful; but
all the evidence that I have been able to obtain points to the conclusion
that they did not co-operate subsequently to 1758. In 1761 they seemed to
have been in rivalry, for the former's name appears singly as the
director of the "company of comedians from both the theatres" that
performed in the concert-room at the Greyhound, while an advertisement of
one of the minor shows of the fair describes it as located in George Yard,
"leading to Mr. Shuter's booth." I have not, however, been able to find an
advertisement of Shuter's booth.
Public-domain text, read in full here on John Shaqi.
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