Bessie had now quite recovered her composure; praise disconcerted her,
but she _was_ accustomed to raillery, and parried Hugh's attack with
her usual spirit. They reached the old stone house before sunset, and
soon assembled in the dining-room for the pleasant meal which might be
called a tea-dinner, or a dinner-tea, although not exactly
corresponding to either designation. Tom and Gem had returned from
Sunday School some time before, and since then they had been absorbed
in reading their library-books, their customary employment at that
hour. After the meal was over, the family went into the sitting-room
and seated themselves near the open windows. They rarely attended
evening service, although they were at liberty to go if they pleased;
the church was at some distance, and Aunt Faith always kept the
children with her on Sunday evening, so that generally they were all
at home, talking quietly, reading, or singing sacred music; this last
occupation giving pleasure to all, as the five cousins were naturally
fond of music, and Aunt Faith had taken care that their taste should
be rightly directed and enlarged.
"I went into the brick church a few Sundays ago," said Hugh, "but I do
not like the choir there at all. They sing nothing but variations."
"What do you mean?" asked Sibyl.
"Why, when I hear a lady playing a long uninteresting piece of music,
it always turns out to be something with variations. That choir is
just the same; everything they sing is long and unintelligible. I
wonder at the patience of the congregation in listening to it. However
they had a doxology after the sermon, sung--to the tune of 'Old
Hundred;' everybody joined in and let off their feelings in that way.
It acted as a sort of safety-valve."
"There is nothing in worship so inspiring as congregational singing,"
said Aunt Faith, "and I always wonder why it is not general in our
churches."
"It is difficult to introduce it when the people are not accustomed to
it," said Sibyl; "only a particular kind of music can be sung, broad,
plain tunes with even notes like 'Old Hundred,' or the German Chorals.
Then the organist must understand his duties thoroughly; he has to
supply the harmony and lead the congregation at the same time."
"The music in a church depends greatly upon the pastor," said Bessie.
"If his musical ideas are correct, and his taste good, his choir will
be good also."
Public-domain text, read in full here on John Shaqi.
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