When Maggie, having entirely ceased sobbing, had put the folded cloth in the table-drawer and departed with the tray, her mistress became frankly the girl again. No primness about her as she stood alone there in the parlour; no pretence that Maggie's notice to leave was an everyday document, to be casually glanced at--as one glances at an unpaid bill! She would be compelled to find a new servant, making solemn inquiries into character, and to train the new servant, and to talk to her from heights from which she had never addressed Maggie. At that moment she had an illusion that there were no other available, suitable servants in the whole world. And the arranged marriage? She felt that this time--the thirteenth or fourteenth time--the engagement was serious and would only end at the altar. The vision of Maggie and Hollins at the altar shocked her. Marriage was a series of phenomena, and a general state, very holy and wonderful--too sacred, somehow, for such creatures as Maggie and Hollins. Her vague, instinctive revolt against such a usage of matrimony centred round the idea of a strong, eternal smell of fish. However, the projected outrage on a hallowed institution troubled her much less than the imminent problem of domestic service. She ran into the shop--or she would have run if she had not checked her girlishness betimes--and on her lips, ready to be whispered importantly into a husband's astounded ear, were the words, "Maggie has given notice! Yes! Truly!" But Samuel Povey was engaged. He was leaning over the counter and staring at an outspread paper upon which a certain Mr. Yardley was making strokes with a thick pencil. Mr. Yardley, who had a long red beard, painted houses and rooms. She knew him only by sight. In her mind she always associated him with the sign over his premises in Trafalgar Road, "Yardley Bros., Authorised plumbers. Painters. Decorators. Paper-hangers. Facia writers." For years, in childhood, she had passed that sign without knowing what sort of things 'Bros,' and 'Facia' were, and what was the mysterious similarity between a plumber and a version of the Bible. She could not interrupt her husband, he was wholly absorbed; nor could she stay in the shop (which appeared just a little smaller than usual), for that would have meant an unsuccessful endeavour to front the young lady-assistants as though nothing in particular had happened to her. So she went sedately up the showroom stairs and thus to the bedroom floors of the house--her house! Mrs. Povey's house! She even climbed to Constance's old bedroom; her mother had stripped the bed--that was all, except a slight diminution of this room, corresponding to that of the shop! Then to the drawing-room. In the recess outside the drawing-room door the black box of silver plate still lay. She had expected her mother to take it; but no! Assuredly her mother was one to do things handsomely--when she did them. In the