Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
"Yes. Of Mr. Povey. She's been expecting of one, and she thought as how
perhaps you'd forgotten it, especially as she wasn't asked to the
funeral."
The girl stopped.
Constance perceived that by mere negligence she had seriously wounded
the feelings of Maggie, senior. The truth was, she had never thought of
Maggie. She ought to have remembered that funeral cards were almost the
sole ornamentation of Maggie's abominable cottage.
"Certainly," she replied after a pause. "Miss Insull, there are a few
cards left in the desk, aren't there? Please put me one in an envelope
for Mrs. Hollins."
She gave the heavily bordered envelope to the ruddy wench, who enfolded
it in her apron, and with hurried, shy thanks ran off.
"Tell your mother I send her a card with pleasure," Constance called
after the girl.
The strangeness of the hazards of life made her thoughtful. She, to
whom Maggie had always seemed an old woman, was a widow, but Maggie's
husband survived as a lusty invalid. And she guessed that Maggie,
vilely struggling in squalor and poverty, was somehow happy in her
frowsy, careless way.
She went back to the accounts, dreaming.
II
When the shop had been closed, under her own critical and precise
superintendence, she extinguished the last gas in it and returned to
the parlour, wondering where she might discover some entirely reliable
man or boy to deal with the shutters night and morning. Samuel had
ordinarily dealt with the shutters himself, and on extraordinary
occasions and during holidays Miss Insull and one of her subordinates
had struggled with their unwieldiness. But the extraordinary occasion
had now become ordinary, and Miss Insull could not be expected to
continue indefinitely in the functions of a male. Constance had a mind
to engage an errand-boy, a luxury against which Samuel had always set
his face. She did not dream of asking the herculean Cyril to open and
shut shop.
He had apparently finished his home-lessons. The books were pushed
aside, and he was sketching in lead-pencil on a drawing-block. To the
right of the fireplace, over the sofa, there hung an engraving after
Landseer, showing a lonely stag paddling into a lake. The stag at eve
had drunk or was about to drink his fill, and Cyril was copying him. He
had already indicated a flight of birds in the middle distance; vague
birds on the wing being easier than detailed stags, he had begun with
the birds.
Constance put a hand on his shoulder. "Finished your lessons?" she
murmured caressingly.
Before speaking, Cyril gazed up at the picture with a frowning, busy
expression, and then replied in an absent-minded voice:
"Yes." And after a pause: "Except my arithmetic. I shall do that in the
morning before breakfast."
"Oh, Cyril!" she protested.
It had been a positive ordinance, for a long time past, that there
should be no sketching until lessons were done. In his father's
lifetime Cyril had never dared to break it.
Public-domain text, read in full here on John Shaqi.
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