Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
Thus Sophia gathered that the talk was exclusively about
assassinations, executions, criminals, and executioners. Some of the
people there made a practice of attending every execution. They were
fountains of interesting gossip, and the lions of the meal. There was a
woman who could recall the dying words of all the victims of justice
for twenty years past. The table roared with hysteric laughter at one
of this woman's anecdotes. Sophia learned that she had related how a
criminal had said to the priest who was good-naturedly trying to screen
the sight of the guillotine from him with his body: "Stand away now,
parson. Haven't I paid to see it?" Such was the Englishman's rendering.
The wages of the executioners and their assistants were discussed, and
differences of opinions led to ferocious arguments. A young and
dandiacal fellow told, as a fact which he was ready to vouch for with a
pistol, how Cora Pearl, the renowned English courtesan, had through her
influence over a prefect of police succeeded in visiting a criminal
alone in his cell during the night preceding his execution, and had
only quitted him an hour before the final summons. The tale won the
honours of the dinner. It was regarded as truly impressive, and
inevitably it led to the general inquiry: what could the highest
personages in the empire see to admire in that red-haired Englishwoman?
And of course Rivain himself, the handsome homicide, the centre and
hero of the fete, was never long out of the conversation. Several of
the diners had seen him; one or two knew him and could give amazing
details of his prowess as a man of pleasure. Despite his crime, he
seemed to be the object of sincere idolatry. It was said positively
that a niece of his victim had been promised a front place at the
execution.
Public-domain text, read in full here on John Shaqi.
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