Domestic fiction; Sisters -- Fiction; Women -- England -- Fiction
She dozed, under the sheet, and was awakened by a tremendous shrieking,
growling, and yelling: a phenomenon of human bestiality that far
surpassed Sophia's narrow experiences. Shut up though she was in a
room, perfectly secure, the mad fury of that crowd, balked at the
inlets to the square, thrilled and intimidated her. It sounded as if
they would be capable of tearing the very horses to pieces. "I must
stay where I am," she murmured. And even while saying it she rose and
went to the window again and peeped out. The torture involved was
extreme, but she had not sufficient force within her to resist the
fascination. She stared greedily into the bright square. The first
thing she saw was Gerald coming out of a house opposite, followed after
a few seconds by the girl with whom he had previously been talking.
Gerald glanced hastily up at the facade of the hotel, and then
approached as near as he could to the red columns, in front of which
were now drawn a line of gendarmes with naked swords. A second and
larger waggon, with two horses, waited by the side of the other one.
The racket beyond the square continued and even grew louder. But the
couple of hundred persons within the cordons, and all the inhabitants
of the windows, drunk and sober, gazed in a fixed and sinister
enchantment at the region of the guillotine, as Sophia gazed. "I cannot
stand this!" she told herself in horror, but she could not move; she
could not move even her eyes.
At intervals the crowd would burst out in a violent staccato--
"Le voila! Nicholas! Ah! Ah! Ah!"
And the final 'Ah' was devilish.
Then a gigantic passionate roar, the culmination of the mob's fierce
savagery, crashed against the skies. The line of maddened horses
swerved and reared, and seemed to fall on the furious multitude while
the statue-like gendarmes rocked over them. It was a last effort to
break the cordon, and it failed.
From the little street at the rear of the guillotine appeared a priest,
walking backwards, and holding a crucifix high in his right hand, and
behind him came the handsome hero, his body all crossed with cords,
between two warders, who pressed against him and supported him on
either side. He was certainly very young. He lifted his chin gallantly,
but his face was incredibly white. Sophia discerned that the priest was
trying to hide the sight of the guillotine from the prisoner with his
body, just as in the story which she had heard at dinner.
Public-domain text, read in full here on John Shaqi.
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