The Olivia Letters: Being Some History of Washington City for Forty Years as Told by the Letters of a Newspaper CorrespondentBriggs, Emily Edson
History
The Olivia Letters: Being Some History of Washington City for Forty Years as Told by the Letters of a Newspaper Correspondent
Briggs, Emily Edson
United States -- Politics and government -- 1865-1933; Washington (D.C.) -- History
For the reason that the card receptions of Secretary Fish are held
the same evening, many of the ladies of the foreign legations
pay their respects to the Speaker and his wife before going to
the mansion of the Secretary of State. Whilst the toilette of the
American woman is quite as costly, it cannot be said to be as
elaborate and far fetched as that of the European sisters. The
dresses of these foreigners are usually made up of trimmings. The
eye is bewildered and lost in the multiplicity of flounces, fringes,
laces, ribbons, and all those things which, in moderation, ought
to be dear to every woman’s heart. The stylish daughters of Baron
Gerolt, the Prussian minister, were there, and their costumes must
have been perfect according to the European standard. The whole
upper surface of their pretty little heads was turned into a flower
garden; rosebuds were planted around the edges, and full blown roses
blossomed in the center whilst long shoots and tendrils clung to
their chignons as ivy nestles up to a damp wall. Their dresses were
composed of that peculiar tint of silk called “ashes of roses,” and
the fringes and satin trimmings were deep rose pink. Oh, the weary,
weary labor of making these butterfly wardrobes, and these dresses
were made by hand! No sewing machine had been used in the production.
The tiny short sleeves were put together like patchwork, and between
each tiny piece of silk was a satin cord. There was just the same
proportion of human work on the long trained skirts, on the little
fractional waists; and yet these extravagant toilettes, worn by these
daughters of so-called lineage, only proved that in matters of dress
there is such a thing as gilding refined gold and painting the rose,
but this kind of work is always attended with the same consequences.
A literary woman connected with the _Rural New Yorker_ was present,
and dazzled the beholders with her handsome face, lemon-colored silk,
and black lace. A sweeter face scarcely ever looks out of a picture;
but alas! alas! why did she not put herself into the hands of some
stylish modiste, and yield the point as gracefully as a literary
woman knows how? There is nothing so damaging to a woman’s toilet as
to begin a certain style and not have the stamina or force of mind to
carry it out. What is worse than a weak decoction of anything? If a
woman decides to adopt “Pompadour” it must be completion to the last,
else all is sacrificed. The reason that literary women sometimes fail
in matters of taste in dress is because they do not give sufficient
attention to the subject. The perfect arrangement of a woman’s
costume is one of the fine arts as much as carving a statue, painting
a picture, or writing an exquisite newspaper article.
OLIVIA.
MIDWINTER SOCIETY.
HOW THE CABINET LADIES CONDUCT THEIR SEVERAL FUNCTIONS.
WASHINGTON, _February 15, 1870_.
Public-domain text, read in full here on John Shaqi.
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