The One Woman: A Story of Modern UtopiaDixon, Thomas, Jr.
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The One Woman: A Story of Modern Utopia
Dixon, Thomas, Jr.
Utopian fiction; Utopias -- Fiction
"These prison bars," he went on with strange elation, "are nothing.
The old queer instinct of asceticism within me, that made a preacher
of an Epicurean and an athlete, has come back to its kingship. Its
sublime authority is now supreme. I despise life, and have learned
to live. There is no task so hard but that the king within demands
a harder. There can be no pain so fierce and cruel but that it
calls my soul to laughter. As for Death--"
His voice sank to dreamy notes.
"She who comes at last with velvet feet and the tender touch of a
pure woman's hand--her face is radiant, her voice low music. She
will speak the end of strife and doubt, and loose these bars. With
friendly smile she will show me the path among the stars, until I
find the face of God. I'll tell Him I'm a son of His who lost the
way on life's great plain, and that I am sorry for all the pain
I've caused to those who loved me."
[Illustration: A cheer suddenly burst from the crowd and echoed
through the court-room.]
Ruth felt through the bars and grasped his hand, sobbing.
"Don't, don't, don't, Frank! Stop! I cannot endure it!"
The warden turned away to hide his face.
CHAPTER XXXVI
SWIFT AND BEAUTIFUL FEET
For three months Ruth went back and forth from Sing Sing to
Albany, battling with the Governor for Gordon's life and cheering
the condemned man with her courage and love.
The fatal day of the execution had come, and she was to wage the
last battle of her soul for the life of her love with the man who
loved her.
It was a day of storm. The spring rains had been pouring in torrents
for a week and the wind was now dashing against the windows blinding
sheets of water.
A carriage stopped before the Governor's Mansion, and two women
wrapped in long cloaks leaped quickly out. The Governor was at his
desk in his office.
There was the rustle of a woman's dress at his door. He looked and
sprang to his feet, trembling.
He threw one hand to his forehead as though to clear his brain,
and caught a chair with the other.
Advancing swiftly toward him, he saw the white vision of Ruth
Spottswood the night of the ball when he had lost her. The same
dress, the same rounded throat, only the bust a little fuller, and
the same beautiful bare arms with the delicate wrists and tapering
fingers. The great soulful eyes, with just a gleam of young sunshine
in their depths, and the same flowers on her breast. She walked
with lithe, quick grace, and now she was talking in the low sweet
contralto music that had echoed in his soul through the years.
"Please, Governor," she was saying, as her hot hand held his, "save
my father!"
The man's eyes were blinking, and he put one hand to his throat as
though he were about to choke. He looked past the white figure of
the girl and saw her mother kneeling in the corner of the room,
the tears streaming down her face and her lips moving in prayer.
In quick tones he called:
"Ruth!"
Public-domain text, read in full here on John Shaqi.
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