The One Woman: A Story of Modern UtopiaDixon, Thomas, Jr.
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The One Woman: A Story of Modern Utopia
Dixon, Thomas, Jr.
Utopian fiction; Utopias -- Fiction
"Ah, my boy, these things you call illusions I call the great
faiths of our fathers, the revelation of God. Call them what you
will, even if we say they are illusions, they are blessed illusions.
They are the steel bars behind which we have caged the crouching,
blind and silent forces of nature, fierce, savage and cruel as
death."
His voice sank to a whisper, he leaned over and placed his trembling
hand on Gordon's arm and added:
"I once felt the impulse to kill a man. It was natural, elemental
and all but overpowering. Remember that civilisation itself is
impossible without tradition. I know that progress is made only
by its modification in growth. But growth is not destruction, and
progress is never backward to beast or savage. Marriage is not a
mere convention between a man and a woman, subject to the whim of
either party. It is a divine social ordinance on which the structure
of human civilisation has been reared. It cannot be broken without
two people's consent and the consent of society, and then only for
great causes which have destroyed its meaning."
"But I have begun to question, father, whether our civilisation is
civilised and worth preserving?"
"And would you civilise it by giving free rein to impulses of nature
that are subconscious, that lead direct to the reign of lust and
murder? Is not man more than brute? Has he not a soul? Is the spirit
a delusion? Ah, my boy, do you doubt my love?"
"I know that you love me."
"Yes, with a love you cannot understand. You can touch no depths to
which I will not follow with that love. But I'd rather a thousand
times see you cold in death than hear from your lips the awful
words you have spoken in this room here this morning with the face
of Jesus looking down upon us from your walls."
He seemed to sink into a stupor for several moments, and was silent
as he gazed into the glowing grate.
At length he said:
"You must take me to your house. I will spend a few days with Ruth
and the children."
Gordon could not face the meeting between his father and Ruth. He
accompanied him to the door and gently bade him good-by, promising
to call the next day.
A singularly beautiful love the old man had bestowed on Ruth, and
she on him; for he was resistless to all the young. When he kissed
her as Frank's bride he seemed to have first fully recovered his
spirits from the shadows of his own tragedy. In her great soft
eyes with the lashes mirrored in their depths, her dimpled chin
and sensitive mouth, her refined and timid nature, the grace and
delicacy of her footsteps, he saw come back into life his own lost
love. Above all, he was fascinated by her spiritual charm, haunting
and vivid. He had never tired of boasting of his son's charming
little wife, and he loved her with a devotion as deep as that he
gave his own flesh and blood.
When she entered the room, in spite of his efforts at control,
he burst into tears as he kissed her tenderly and slipped his arm
softly around her.
Public-domain text, read in full here on John Shaqi.
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