Before leaving town he took the precaution to call on Pash and note down
a description of the sailor--presumably Jessop--who had tried to obtain
possession of the jewels on the morning after the crime had been
committed in Gwynne Street. He learned that the man (who had given no
name) was tall and stout, with the flushed skin of a habitual drinker of
strong waters, and reddish hair mixed with grey. He also had a scar
running from his right temple to his mouth, and although this was partly
concealed by a beard, yet it was distinctly visible. The man was dressed
in blue serge, carried his large hands slightly clenched, and rolled in
his gait. Hurd noted these things down, and had little doubt but what he
would recognize the man if he came across him. Connecting him with the
individual who had pawned the brooch at Stowley, Hurd fancied he might
be Jessop. He resolved to look for him in Southampton, as, judging from
the evidence given at the inquest on Lady Rachel's remains, that was the
port of call for the mariner.
At the station immediately before that of Christchurch, Hurd glanced at
a telegram which he produced out of his pocket-book, and then leaned out
of the carriage window. A pretty, daintily-dressed little woman saw him
and at once entered the carriage with a gay laugh. She was Miss Aurora
Qian, and Paul would have been considerably astonished had he overheard
her conversation with Mr. Hurd. But the detective and the actress had
the compartment to themselves, and talked freely.
"It's the safest place to talk in," explained Miss Qian, producing a bag
of chocolate and eating during the conversation. "Of course, I told the
landlady at 'The Red Pig' that my brother was coming down, so we can go
there right enough. But walls have ears. I don't think railway carriages
have, though, and we have much to say, Billy."
"Have you found out anything, Aurora?" asked Hurd.
Miss Qian nodded. "A great deal considering I have been in the place
only twenty-four hours. It's a good thing I'm out of an engagement,
Billy, or I shouldn't have time to leave London or to look after that
man Hay. I _am_ a good sister."
"Well, you are. But there's money in the business also. If I can get
that thousand pounds, you'll have your share."
"I know you'll treat me straight, Billy," said the actress, with much
satisfaction. "I always say that my brother is as square a man as I
know."
"The deuce you do," said Hurd, rather vexed. "I hope you don't go
telling everyone that I am your brother, Aurora?"
"Only one or two special friends--not Hay, you may be sure. Nor does
that nice Mr. Beecot know that we are brother and sister."
"You'd best keep it dark, and say nothing, Aurora. It's just as well you
left the private detective business and went on the stage. You talk too
much."
"Oh, no, I don't," retorted Miss Qian, eating a sweet. "Don't be nasty,
Billy, or I'll tell you nothing."
Public-domain text, read in full here on John Shaqi.
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