Country life; London (England) -- Description and travel; Natural history -- Outdoor books
As it is not at all rude, but the proper thing to do, I thought I would
venture a little nearer (not too obtrusively near) and see closer at
hand how brave womanhood faced the rollers. There was a young girl
lying at full length at the edge of the foam. She reclined parallel to
the beach, not with her feet towards the sea, but so that it came to
her side. She was clad in some material of a gauzy and yet opaque
texture, permitting the full outline and the least movement to be seen.
The colour I do not exactly know how to name; they could tell you at
the Magasin du Louvre, where men understand the hues of garments as
well as women. I presume it was one of the many tints that are called
at large "creamy." It suited her perfectly. Her complexion was in the
faintest degree swarthy, and yet not in the least like what a lady
would associate with that word. The difficulty in describing a colour
is that different people take different views of the terms employed;
ladies have one scale founded a good deal on dress, men another, and
painters have a special (and accurate) gamut which they use in the
studio. This was a clear swarthiness a translucent swarthiness clear as
the most delicate white. There was something in the hue of her neck as
freely shown by the loose bathing dress, of her bare arms and feet,
somewhat recalling to mind the kind of beauty attributed to the Queen
of Egypt. But it was more delicate. Her form was almost fully
developed, more so than usual at her age. Again and again the foam
rushed up deep enough to cover her limbs, but not sufficiently so to
hide her chest, as she was partly raised on one arm. Washed thus with
the purest whiteness of the sparkling foam, her beauty gathered
increase from the touch of the sea. She swayed slightly as the water
reached her, she was luxuriously recked to and fro. The waves, toyed
with her; they came and retired, happy in her presence; the breeze and
the sunshine were there.
Standing somewhat back, the machines hid the waves from me till they
reached the shore, so that I did not observe the heavy roller till it
came and broke. A ton of water fell on her, crush! The edge of the wave
curled and dropped over her, the arch bowed itself above her, the
keystone of the wave fell in. She was under the surge while it rushed
up and while it rushed back; it carried her up to the steps of the
machine and back again to her original position. When it subsided she
simply shook her head, raised herself on one arm, and adjusted herself
parallel to the beach as before.
Public-domain text, read in full here on John Shaqi.
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