Country life; London (England) -- Description and travel; Natural history -- Outdoor books
I stayed by a large pond to look at the shadows of the trees on the
green surface of duckweed. The soft green of the smooth weed received
the shadows as if specially prepared to show them to advantage. The
more the tree was divided--the more interlaced its branches and less
laden with foliage, the more it "came out" on the green surface; each
slender twig was reproduced, and sometimes even the leaves. From an
oak, and from a lime, leaves had fallen, and remained on the green
weed; the flags by the shore were turning brown; a tint of yellow was
creeping up the rashes, and the great trunk of a fir shone reddish
brown in the sunlight. There was colour even about the still pool,
where the weeds grew so thickly that the moorhens could scarcely swim
through them.
DOWNS
A good road is recognised as the groundwork of civilisation. So long as
there is a firm and artificial track under his feet the traveller may
be said to be in contact with city and town, no matter how far they may
be distant. A yard or two outside the railway in America the primeval
forest or prairie often remains untouched, and much in the same way,
though in a less striking degree at first sight, some of our own
highways winding through Down districts are bounded by undisturbed
soil. Such a road wears for itself a hollow, and the bank at the top is
fringed with long rough grass hanging over the crumbling chalk. Broad
discs of greater knapweed with stalks like wire, and yellow toad-flax
with spotted lip grow among it. Grasping this tough grass as a handle
to climb up by, the explorer finds a rising slope of sward, and having
walked over the first ridge, shutting off the road behind him, is at
once out of civilisation. There is no noise. Wherever there are men
there is a hum, even in the harvest-field; and in the road below,
though lonely, there is sometimes the sharp clatter of hoofs or the
grating of wheels on flints. But here the long, long slopes, the
endless ridges, the gaps between, hazy and indistinct, are absolutely
without noise. In the sunny autumn day the peace of the sky overhead is
reflected in the silent earth. Looking out over the steep hills, the
first impression is of an immense void like the sea; but there are
sounds in detail, the twitter of passing swallows, the restless buzz of
bees at the thyme, the rush of the air beaten by a ringdove's wings.
These only increase the sense of silent peace, for in themselves they
soothe; and how minute the bee beside this hill, and the dove to the
breadth of the sky! A white speck of thistledown comes upon a current
too light to swing a harebell or be felt by the cheek. The furze-bushes
are lined with thistledown, blown there by a breeze now still; it is
glossy in the sunbeams, and the yellow hawkweeds cluster beneath. The
sweet, clear air, though motionless at this height, cools the rays; but
the sun seems to pause and neither to rise higher nor decline. It is
the space open to the eye which apparently arrests his movement.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account